Previous Verse
Next Verse

Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 11

Vidyā-viśodhana-vidhāna

Procedure for Purifying Mantra-Vidyā

ताडनं छेदनं तत्र प्रवेशञ्चापि योजनं आकृष्य ग्रहणं कुर्याद्विद्यया हृत्प्रदेशतः

tāḍanaṃ chedanaṃ tatra praveśañcāpi yojanaṃ ākṛṣya grahaṇaṃ kuryādvidyayā hṛtpradeśataḥ

ณที่นั้น พึงกระทำการตีและการตัดด้วยวิทยา; ทั้งการสอดเข้าและการตรึงให้มั่นคง แล้วดึง (เป้าหมาย) เข้ามาหาตน และพึงยึดไว้ โดยกำหนดจากบริเวณหัวใจ.

tāḍanamstriking
tāḍanam:
Karma (कर्म/Item to be done)
TypeNoun
Roottāḍ (धातु) + ana (कृत्)
Formकृत्-प्रत्ययान्त भाववाचक (action noun), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
chedanamcutting
chedanam:
Karma (कर्म/Item to be done)
TypeNoun
Rootchid (धातु) + ana (कृत्)
Formकृत्-प्रत्ययान्त भाववाचक, नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
tatrathere, in that (procedure)
tatra:
Adhikarana (अधिकरण/Location)
TypeIndeclinable
Roottatra (अव्यय)
Formदेशवाचक-अव्यय (adverb)
praveśamentering, insertion
praveśam:
Karma (कर्म/Item to be done)
TypeNoun
Rootpraveśa (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा/द्वितीया (Nom/Acc), एकवचन
caand
ca:
Sambandha (सम्बन्ध/Coordination)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
apialso
api:
Sambandha (सम्बन्ध/Addition)
TypeIndeclinable
Rootapi (अव्यय)
Formनिपात (particle: inclusion/emphasis)
yojanamjoining, application
yojanam:
Karma (कर्म/Item to be done)
TypeNoun
Rootyuj (धातु) + ana (कृत्)
Formकृत्-प्रत्ययान्त भाववाचक, नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
ākṛṣyahaving drawn/pulled
ākṛṣya:
Purvakala (पूर्वकाल/Preceding action)
TypeVerb
Rootā-√kṛṣ (धातु) + ल्यप् (क्त्वा-प्रत्यय)
Formअव्ययभाव-क्त्वान्त (gerund/absolutive), क्रियाविशेषण (adverbial)
grahaṇamseizing, taking
grahaṇam:
Karma (कर्म/Item to be done)
TypeNoun
Rootgrah (धातु) + ana (कृत्)
Formकृत्-प्रत्ययान्त भाववाचक, नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
kuryātshould do
kuryāt:
Kriya (क्रिया/Main action)
TypeVerb
Rootkṛ (धातु)
Formविधिलिङ् (optative), परस्मैपद, प्रथमपुरुष, एकवचन
vidyayāby (means of) knowledge/mantra-knowledge
vidyayā:
Karana (करण/Instrument)
TypeNoun
Rootvidyā (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया-विभक्ति (Instrumental), एकवचन
hṛt-pradeśataḥfrom the region of the heart
hṛt-pradeśataḥ:
Apadana (अपादान/Source)
TypeNoun
Roothṛt + pradeśa (प्रातिपदिक)
Formतत्पुरुष-समास; पञ्चमी-विभक्ति (Ablative), एकवचन; तसिल्-अर्थ (from the region of)

Lord Agni (instructing sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Dhanurveda","secondary_vidya":"Yoga","practical_application":"Technical sequence for close-combat or weapon-handling: strike, cut, insert/fix, draw-in, seize—coordinated from the heart-region (hṛt-pradeśa) implying centered intent, breath, and posture.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Fivefold operation in combat: striking, cutting, insertion, fixing, drawing and seizing","lookup_keywords":["tāḍana","chedana","praveśa","yojana","ākṛṣya-grahaṇa"],"quick_summary":"A compact training rule enumerating core actions in weapon use and grappling. Emphasizes execution ‘from the heart-region’—centered control rather than limb-only force."}

Weapon Type: General (applicable to sword, spear, dagger, and grappling)

Concept: Skill (vidyā) as embodied cognition: actions arise from the ‘heart’ (center) rather than scattered limbs.

Application: Use heart-centered posture (sternum lifted, scapula set, breath steady) to improve timing, reduce telegraphing, and maintain composure under pressure.

Khanda Section: Dhanurveda (Weapon-science and martial applications of Vidya)

Primary Rasa: vira

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A martial instructor demonstrates a sequence: strike, cut, thrust, pin/lock, then pull the opponent in and seize—shown as five panels around a central heart-symbol indicating ‘hṛt-pradeśa’.","kerala_mural_prompt":"Kerala mural, kṣatriya guru teaching weapon drill, five action vignettes around a stylized heart-lotus, bold outlines, earthy reds/ochres, dynamic poses","tanjore_prompt":"Tanjore painting, heroic warrior in mid-action with sword and dagger, gold embossing on armor, five-step narrative panels, temple-like framing","mysore_prompt":"Mysore painting, instructional combat sequence with clear body mechanics, labeled steps in Sanskrit, emphasis on chest-centered alignment, soft colors and precise linework","mughal_miniature_prompt":"Mughal miniature, akhara training scene, master and student in controlled sparring, sequential actions depicted with elegant motion, detailed textiles and courtyard setting"}

Audio Atmosphere: {"recitation_mood":"energetic","suggested_raga":"Bhairavi","pace":"fast","voice_tone":"instructional"}

Sandhi Resolution Notes: praveśañcāpi → praveśam ca api; kuryādvidyayā → kuryāt vidyayā; hṛtpradeśataḥ → hṛt-pradeśataḥ.

Related Themes: Agni Purana 86 (Dhanurveda segment)

A
Agni Purana
D
Dhanurveda
V
Vidyā

FAQs

It teaches a practical sequence of applied technique—strike, cut, insert, fix/secure, draw the opponent/target toward oneself, and then seize—executed through “vidyā,” i.e., trained specialized method (often understood in Dhanurveda as a disciplined technique, sometimes supported by mantric focus).

By detailing operational combat procedures (not merely mythology or ritual), it shows the Agni Purana’s encyclopedic scope—preserving Dhanurveda-style technical instruction alongside theology, rites, and other sciences.

The emphasis on acting “from the heart-region” implies disciplined inner-centeredness and controlled application of force; in Purāṇic framing, right technique joined with self-mastery supports dharmic conduct even in conflict.