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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 16

Chapter 83 — निर्वाणदीक्षाकथनम्

Description of the Nirvāṇa Initiation

विद्यादेहञ्च विन्यस्य शान्त्यतीतावलोकनं तस्यामितरतत्त्वाद्यं मन्त्रभूतं विचिन्तयेत्

vidyādehañca vinyasya śāntyatītāvalokanaṃ tasyāmitaratattvādyaṃ mantrabhūtaṃ vicintayet

เมื่อทำนยาสะโดยสถาปนา ‘กายแห่งวิทยา’ (พลังมนตร์) ไว้ในตนแล้ว พึงเพ่งพิจารณาทัศนะที่เหนือกว่าศานติ และภายในนั้นพึงใคร่ครวญตัตตวะอันหลากหลายเริ่มด้วย ‘อิตระ’ ว่ามีสภาวะเป็นมนตร์।

विद्या-देहम्the ‘body’ (form) of the vidyā
विद्या-देहम्:
Karma (कर्म)
TypeNoun
Rootविद्या (प्रातिपदिक) + देह (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन; तत्पुरुष-समास (षष्ठी/सम्बन्ध: ‘विद्यायाः देहः’ = ‘body of vidyā’)
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
विन्यस्यhaving placed/arranged
विन्यस्य:
Kriya-viseshana (क्रियाविशेषण)
TypeVerb
Rootनि-√अस्/अस्? → √अस् not; actually वि-नि-√अस् (धातु) / √अस् not correct; better: वि-नि-√अस् (न्यासे) as √अस् not standard; treat as √न्यस् (धातु) with prefixes वि+नि
Formक्त्वान्त (Gerund/Absolutive), ‘विन्यस्य’ = having placed/arranged; उपसर्ग: वि-, नि-; अव्ययभाव (indeclinable verbal)
शान्ति-अतीत-अवलोकनम्the contemplation of the ‘beyond-śānti’ state
शान्ति-अतीत-अवलोकनम्:
Karma (कर्म)
TypeNoun
Rootशान्ति (प्रातिपदिक) + अतीत (कृदन्त/प्रातिपदिक) + अवलोकन (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन; तत्पुरुष-समास (निर्देश: ‘शान्त्यतीतस्य अवलोकनम्’ = ‘contemplation/vision of the state beyond śānti’)
तस्यof that
तस्य:
Sambandha (सम्बन्ध)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी-विभक्ति (Genitive), एकवचन; सर्वनाम
अमितर-तत्त्व-आद्यम्beginning with the non-different principles
अमितर-तत्त्व-आद्यम्:
Karma (कर्म)
TypeAdjective
Rootअमितर (प्रातिपदिक) + तत्त्व (प्रातिपदिक) + आद्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन; तत्पुरुष-समास; ‘अमितर’ = ‘not-other/identical’; विशेषणं (qualifying) to ‘मन्त्रभूतम्/अवलोकनम्’ by context
मन्त्र-भूतम्having the nature of a mantra
मन्त्र-भूतम्:
Karma (कर्म)
TypeAdjective
Rootमन्त्र (प्रातिपदिक) + भूत (कृदन्त/प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन; तत्पुरुष (‘मन्त्ररूपम्’); विशेषण
विचिन्तयेत्should contemplate
विचिन्तयेत्:
Kriya (क्रिया)
TypeVerb
Rootवि-√चिन्त् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद; ‘he should contemplate’

Lord Agni (in instruction to Vasiṣṭha, the standard Agni Purana discourse frame)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Nyāsa and internal visualization to install mantric power (vidyā-deha) and contemplate tattvas as mantra for deepening dhyāna and mantra-siddhi.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Vidyā-deha-nyāsa and Śāntyatīta-avalokana (tattva-mantra-dhyāna)","lookup_keywords":["vidyādeha-nyāsa","śāntyatīta-avalokana","tattva-dhyāna","mantra-bhāva","yoga-vidyā"],"quick_summary":"After installing the mantric ‘body of vidyā’ through nyāsa, contemplate the śāntyatīta (beyond-peace) vision and recognize differentiated tattvas as mantra-forms to stabilize nondual absorption."}

Concept: Tattvas are contemplated as mantra (mantra-bhūta) within śāntyatīta awareness after nyāsa establishes the vidyā-deha.

Application: Use nyāsa as a preparatory ‘somatic’ anchor, then shift to tattva-as-mantra contemplation to prevent distraction and deepen samāveśa.

Khanda Section: Yoga-vidya / Mantra-dhyana (Tantric contemplative practice)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A yogin seated in padmāsana performs nyāsa, touching limbs with mantra, then visualizes a luminous transcendent field beyond calm, where tattvas appear as vibrating mantra-syllables.","kerala_mural_prompt":"Kerala temple mural style, seated yogin with sacred markings performing nyāsa, subtle aura layers labeled as tattvas, luminous white-blue śāntyatīta halo, flat decorative foliage border, traditional pigments","tanjore_prompt":"Tanjore painting, central yogin with embossed gold aura, stylized lotus seat, mantra-syllables as gold calligraphic motifs around the body, rich reds and greens, temple-like framing","mysore_prompt":"Mysore painting, instructional composition showing nyāsa hand-placements on body, neat linework, soft colors, small captions for tattvas/mantra-bhāva, serene background","mughal_miniature_prompt":"Mughal miniature, intimate interior with yogin on carpet, delicate rendering of hands touching limbs (nyāsa), translucent cloud-like aura with tiny script-like mantra forms, fine detailing and subdued palette"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Ahir Bhairav","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes: विद्यादेहञ्च → विद्या-देहम् + च; शान्त्यतीतावलोकनं → शान्ति-अतीत-अवलोकनम्; तस्यामितरतत्त्वाद्यं → तस्य + अमितर-तत्त्व-आद्यम्; मन्त्रभूतं → मन्त्र-भूतम्.

Related Themes: Agni Purana 83.17; Agni Purana 83.18; Agni Purana 83.19; Agni Purana 83.20

V
Vidyā (mantra)
N
Nyāsa
T
Tattva
Ś
Śānti-atīta

FAQs

It teaches mantra-nyāsa (installing the ‘vidyā-body’ on oneself) followed by a specific contemplative practice: perceiving a state beyond ordinary tranquility and viewing the tattvas (principles of manifestation) as mantric realities.

Alongside myth and dharma, the Agni Purana preserves applied sādhanā-technology—nyāsa, mantra-theory, and tattva-based contemplation—showing its coverage of practical yogic/tantric methods as part of a broader knowledge compendium.

By internalizing mantra through nyāsa and contemplating tattvas as mantra, the practitioner refines perception from multiplicity to sacred vibration, supporting purification, steadiness of mind, and non-dual insight beyond conventional ‘peace’ states.