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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 89

Chapter 81 — समयदीक्षाविधानम्

Procedure for Samaya Initiation

सदक्षिणासने तद्वत् सौम्यास्यमुपवेशयेत् शिष्यदेहविनिष्क्रान्तां सुषुम्णामिव चिन्तयेत्

sadakṣiṇāsane tadvat saumyāsyamupaveśayet śiṣyadehaviniṣkrāntāṃ suṣumṇāmiva cintayet

ฉันนั้นเอง บนอาสนะด้านขวาพึงให้นั่งผู้มีพักตร์อ่อนโยน และพึงภาวนาว่าพลังที่ออกจากกายศิษย์นั้นประหนึ่งเป็นสุษุมณา (นาฑีแกนกลาง) ดังนี้।

स-दक्षिण-आसनेon the properly right-oriented seat
स-दक्षिण-आसने:
अधिकरण (अधिकरण/Location)
TypeNoun
Rootस (प्रातिपदिक) + दक्षिण (प्रातिपदिक) + आसन (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/सप्तमी), एकवचन; ‘with right side (properly oriented) seat’
तद्वत्likewise
तद्वत्:
क्रिया-विशेषण (Adverbial modifier)
TypeIndeclinable
Rootतद्वत् (अव्यय/प्रातिपदिक-निबद्ध)
Formतुल्यार्थक-अव्यय (adverb: ‘likewise/in that manner’)
सौम्य-आस्यम्the gentle-faced (one) / gentle face
सौम्य-आस्यम्:
कर्म (कर्म/Object)
TypeNoun
Rootसौम्य (प्रातिपदिक) + आस्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन; ‘gentle/pleasant face’
उपवेशयेत्should seat (him)
उपवेशयेत्:
क्रिया (Verb)
TypeVerb
Rootउप-विश् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद; causative sense ‘make sit/seat’ (usage)
शिष्य-देह-विनिष्क्रान्ताम्having emerged from the disciple’s body
शिष्य-देह-विनिष्क्रान्ताम्:
विशेषण (Qualifier of object)
TypeAdjective
Rootशिष्य (प्रातिपदिक) + देह (प्रातिपदिक) + विनिष्क्रान्ता (कृदन्त, √क्रम्/√क्रन् with वि+निस्)
Formस्त्रीलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन; भूतकृदन्त (past participle) qualifying ‘सुषुम्णा’; ‘having come out from the disciple’s body’
सुषुम्णाम्Suṣumṇā (central channel)
सुषुम्णाम्:
कर्म (कर्म/Object)
TypeNoun
Rootसुषुम्णा (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन
इवas if/like
इव:
उपमा-सूचक (Comparative marker)
TypeIndeclinable
Rootइव (अव्यय)
Formउपमार्थक-अव्यय (particle of comparison)
चिन्तयेत्should contemplate/visualize
चिन्तयेत्:
क्रिया (Verb)
TypeVerb
Rootचिन्त् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद

Lord Agni (instructing Sage Vasiṣṭha in the Agni Purana’s didactic narration)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Philosophy","practical_application":"Inner-ritual visualization: correct seating orientation and meditative imagining of prāṇa/śakti movement through the central channel (suṣumṇā) in relation to the disciple.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Dakṣiṇāsana-sthāpana and Suṣumṇā-sadṛśa Śakti-niṣkramaṇa-dhyāna","lookup_keywords":["dakṣiṇāsana","suṣumṇā","dhyāna","śiṣya","nāḍī"],"quick_summary":"Seat the gentle-faced practitioner on the right-hand seat and visualize a subtle current departing the disciple’s body like the suṣumṇā—an inner rite aligning attention with central-channel dynamics."}

Alamkara Type: Upama

Concept: Subtle physiology (nāḍī system) is engaged through disciplined posture/placement and precise imagination; visualization is treated as operative ritual action.

Application: Use right-seat placement and suṣumṇā-based imagery to guide prāṇic focus during initiation/inner worship practices.

Khanda Section: Yoga & Tantra (Pranayama–Nadi–Kundalini / Inner Ritual Visualization)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A calm-faced disciple is seated on the right-hand āsana while the guru meditatively visualizes a luminous subtle current leaving the disciple and aligning with the central suṣumṇā channel.","kerala_mural_prompt":"Kerala mural, stylized seated figures on ritual mats, subtle luminous vertical channel drawn as a golden line within the body, serene faces, minimal background, sacred geometry hints.","tanjore_prompt":"Tanjore style with gold aura outlining the suṣumṇā, right-side āsana emphasized, ornate halos, devotional yet yogic composition, rich reds and greens.","mysore_prompt":"Mysore painting, instructional subtle-body diagram integrated into narrative scene, fine lines showing suṣumṇā path, labels implied by icon-like cues, soft pastel palette.","mughal_miniature_prompt":"Mughal miniature, intimate interior with carpets, guru and disciple seated, translucent overlay showing a glowing central channel, delicate detailing and restrained color."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: सदक्षिणासने = स + दक्षिण + आसने; सौम्यास्यमुपवेशयेत् = सौम्यास्यम् + उपवेशयेत्; शिष्यदेहविनिष्क्रान्ताम् = शिष्य + देह + विनिष्क्रान्ताम्; सुषुम्णामिव = सुषुम्णाम् + इव.

Related Themes: Agni Purana: Yoga/Tantra passages on nāḍīs, suṣumṇā, and prāṇāyāma; Agni Purana: Puja-vidhi on āsana-bheda and dakṣiṇa/uttara placements

S
Suṣumṇā
Ś
Śiṣya (disciple)

FAQs

It gives a procedural instruction for a yogic/tantric visualization: seating on the right-hand āsana and mentally conceiving a subtle ‘departure’ from the disciple’s body in the form of the suṣumṇā (central channel).

Beyond mythology, the Agni Purana preserves practical inner-ritual and yogic techniques (nāḍī doctrine, visualization methods, initiation-style procedures), showing its coverage of applied spiritual technologies alongside other sciences.

The instruction emphasizes disciplined visualization and channel-awareness (suṣumṇā-centered focus), aiming at purification and controlled movement of subtle energy—key for steadiness of mind and efficacy in higher yogic practice.