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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 31

Chapter 72 — स्नानविशेषादिकथनम्

Special Rules of Bathing, Mantra-Purification, and Sandhyā

हृद्बिन्दुब्रह्मरन्ध्रेषु अरूपा तु परे स्थिता शिवबोधपरा या तु सा सन्ध्या मरमोच्यते

hṛdbindubrahmarandhreṣu arūpā tu pare sthitā śivabodhaparā yā tu sā sandhyā maramocyate

การปฏิบัติภายในอันไร้รูป ซึ่งสถิตอยู่ในความจริงสูงสุด ณ หทัย จุดบิณฑุ และพรหมรันธระ และมุ่งสู่การรู้แจ้งพระศิวะ—นี้เรียกว่า ‘สันธยาแห่งคัมภีร์ลับ’।

हृत्-बिन्दु-ब्रह्म-रन्ध्रेषुin the heart-point and brahma-aperture (centres)
हृत्-बिन्दु-ब्रह्म-रन्ध्रेषु:
Adhikarana (अधिकरण)
TypeNoun
Rootहृत् (प्रातिपदिक) + बिन्दु (प्रातिपदिक) + ब्रह्म (प्रातिपदिक) + रन्ध्र (प्रातिपदिक)
Formनपुंसकलिङ्ग (रन्ध्र), सप्तमी-विभक्ति (अधिकरण), बहुवचन; समाहार/निर्देशार्थे ‘in the heart-point and brahma-opening (centres)’
अरूपाformless
अरूपा:
Karta (कर्ता)
TypeAdjective
Rootअ-रूप (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषणम् (सन्ध्या)
तुbut/indeed
तु:
Sambandha/Discourse particle (निपात)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात (particle), विरोध/विशेषार्थक
परेin the Supreme
परे:
Adhikarana (अधिकरण)
TypeNoun
Rootपर (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (अधिकरण), एकवचन; ‘in the Supreme’
स्थिताsituated/abiding
स्थिता:
Kriya (क्रिया)
TypeVerb
Root√स्था (धातु) + क्त (कृदन्त-प्रत्यय)
Formक्त-प्रत्ययान्त कृदन्त (past passive participle); स्त्रीलिङ्ग, प्रथमा, एकवचन; (सन्ध्या)
शिव-बोध-पराःdevoted to the knowledge of Śiva
शिव-बोध-पराः:
Karta (कर्ता)
TypeAdjective
Rootशिव (प्रातिपदिक) + बोध (प्रातिपदिक) + पर (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषणम् (या/सा सन्ध्या)
याwhich
या:
Karta (कर्ता)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; सम्बन्धक-प्रत्यय (relative pronoun)
तुindeed
तु:
Sambandha/Discourse particle (निपात)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात
साthat
सा:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; निर्देश (correlative pronoun)
सन्ध्याsandhyā
सन्ध्या:
Karta (कर्ता)
TypeNoun
Rootसन्ध्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन
मरम्‘mara’ (name/term)
मरम्:
Karma (कर्म)
TypeNoun
Rootमर (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन; (नामरूपेण)
उच्यतेis called
उच्यते:
Kriya (क्रिया)
TypeVerb
Root√वच् (धातु)
Formलट्-लकार, प्रथमपुरुष, एकवचन; आत्मनेपद; कर्मणि-प्रयोग (passive)

Lord Agni (teaching the Agni Purana’s yogic/ritual doctrine to sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Yoga & Tantra","practical_application":"Guides internal Sandhyā as subtle-body contemplation across heart, bindu, and brahma-randhra, oriented to Śiva-realization rather than external twilight rites.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Marma/Gupta Sandhyā — Arūpā Śiva-bodha in Hṛd–Bindu–Brahmarandhra","lookup_keywords":["arūpā sandhyā","hṛd","bindu","brahmarandhra","śiva-bodha"],"quick_summary":"Defines the ‘secret/inner Sandhyā’ as formless contemplation abiding in heart, bindu, and brahmarandhra, dedicated to realization of Śiva."}

Concept: Arūpa (formless) contemplation culminating in Śiva-bodha, mapped onto subtle loci (hṛd, bindu, brahmarandhra).

Application: Practice internal worship: stabilize attention in heart, refine to bindu-focus, and lift awareness to brahmarandhra as a contemplative sequence for non-dual Śiva-recognition.

Khanda Section: Yoga & Tantra (Sandhyā, internal worship, subtle-body doctrine)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"An internal yogic diagram-like scene: a meditating figure with highlighted heart-lotus, a luminous bindu point, and an opening at the crown (brahmarandhra), all suffused with Śiva-consciousness.","kerala_mural_prompt":"Kerala mural style, meditating yogi, stylized heart-lotus glowing, a small bindu orb, crown aperture emitting light, subdued palette with sacred reds and golds, Śaiva symbolism subtle","tanjore_prompt":"Tanjore painting, meditating figure with gold-embossed highlights at heart and crown, central bindu rendered as gem-like sphere, ornate Śaiva aureole, rich reds and greens","mysore_prompt":"Mysore painting, instructional subtle-body emphasis, fine annotations implied by placement of glowing points (heart, bindu, crown), calm facial expression, soft luminous washes","mughal_miniature_prompt":"Mughal miniature, seated yogi with delicate translucent overlays indicating inner centers, fine detailing of crown light, minimal background, refined color gradations"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes: हृद्बिन्दुब्रह्मरन्ध्रेषु → हृत्-बिन्दु-ब्रह्म-रन्ध्रेषु (समास); मरमोच्यते → मरम् उच्यते.

Related Themes: Agni Purana 72 (internal Sandhyā, nyāsa, mantra and purification subsections)

Ś
Śiva
B
Brahma-randhra
B
Bindu
S
Sandhyā

FAQs

It defines an internal (antar) Sandhyā: a formless contemplative practice focused on Śiva-realization, located in key subtle centers—heart, bindu, and brahma-randhra—rather than external offerings alone.

Beyond myth and worship, it preserves yogic–tantric technicalities (subtle anatomy like bindu and brahma-randhra) and reframes a common Vedic rite (Sandhyā) as an inner meditative discipline—showing the text’s wide coverage of ritual, philosophy, and yoga.

By directing Sandhyā toward formless supreme awareness and Śiva-bodha, the practice is presented as an inward purification and liberation-oriented discipline, shifting merit from mere external observance to transformative realization.