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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 11

Chapter 72 — स्नानविशेषादिकथनम्

Special Rules of Bathing, Mantra-Purification, and Sandhyā

दक्षिणेन समालभ्य पठन्नङ्गचतुष्टयम् पिधाय खानि सर्वाणि सम्मुखीकरणेन च

dakṣiṇena samālabhya paṭhannaṅgacatuṣṭayam pidhāya khāni sarvāṇi sammukhīkaraṇena ca

เมื่อใช้มือขวาสัมผัสแล้ว พึงสวดบทอังคจตุษฏยะ (สูตรสี่อวัยวะ) และด้วยพิธีสัมมุขีกรณะ พึงปิดช่องทวารแห่งอินทรีย์ทั้งปวง

दक्षिणेनwith the right (hand)
दक्षिणेन:
Karaṇa (करण/Instrument)
TypeAdjective
Rootदक्षिण (प्रातिपदिक)
Formनपुंसकलिङ्गे/पुंलिङ्गे तृतीया विभक्तिः (Instrumental), एकवचनम्; हस्ते (implied 'हस्तेन') विशेषणम्
समालभ्यhaving touched/handled
समालभ्य:
Pūrvakāla-kriyā (पूर्वकालक्रिया/preceding action)
TypeVerb
Rootसम्-आ-लभ् (धातु)
Formक्त्वान्त (Gerund/Absolutive), अव्ययभावः; 'having touched/handled'
पठन्reciting
पठन्:
Karta (कर्ता/Agent)
TypeVerb
Rootपठ् (धातु)
Formशतृ-प्रत्यय (Present active participle), प्रथमा एकवचनम्, पुंलिङ्गः; कर्तरि (agentive)
अङ्गचतुष्टयम्the set of four limbs (aṅgas)
अङ्गचतुष्टयम्:
Karma (कर्म/Object)
TypeNoun
Rootअङ्ग-चतुष्टय (प्रातिपदिक; components: अङ्ग + चतुष्टय)
Formनपुंसकलिङ्गः, द्वितीया विभक्तिः (Accusative), एकवचनम्
पिधायhaving closed
पिधाय:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Rootपि-धा (धातु; पिधा/पिधाय = to close)
Formक्त्वान्त (Gerund/Absolutive), अव्ययभावः; 'having closed'
खानिopenings (sense-organs)
खानि:
Karma (कर्म/Object)
TypeNoun
Rootख (प्रातिपदिक)
Formनपुंसकलिङ्गः, द्वितीया विभक्तिः (Accusative), बहुवचनम्
सर्वाणिall
सर्वाणि:
Karma (कर्म/Object-qualifier)
TypeAdjective
Rootसर्व (प्रातिपदिक)
Formनपुंसकलिङ्गः, द्वितीया विभक्तिः (Accusative), बहुवचनम्; विशेषणम् of खानि
सम्मुखीकरणेनby the act of turning (them) forward / facing
सम्मुखीकरणेन:
Karaṇa (करण/Instrument)
TypeNoun
Rootसम्मुखी-करण (प्रातिपदिक; components: सम्मुखी + करण)
Formनपुंसकलिङ्गः, तृतीया विभक्तिः (Instrumental), एकवचनम्
and
:
Samuccaya (समुच्चय/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)

Lord Agni (teaching ritual procedure to the sage Vasiṣṭha in the Agni Purāṇa’s instructional dialogue frame)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Perform aṅga-nyāsa (fourfold limb formula) with right-hand touch and execute sammukhīkaraṇa to ‘seal’ the senses/apertures for inward focus during worship.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Aṅga-catuṣṭaya-nyāsa and Sammukhīkaraṇa (closing the apertures)","lookup_keywords":["aṅga-catuṣṭaya","aṅga-nyāsa","sammukhīkaraṇa","kha-ni pidhāna","right-hand touch"],"quick_summary":"Touch with the right hand while reciting the fourfold limb formula, then perform sammukhīkaraṇa to close the sensory apertures, turning attention inward for mantra efficacy."}

Concept: Indriya-nigraha through ritual ‘sealing’ supports mantra-siddhi; bodily gestures and sound are coordinated as a single practice.

Application: Use a consistent nyāsa + sense-withdrawal step to reduce distraction before japa, dhyāna, or abhiṣeka.

Khanda Section: Puja-vidhi (Mantra-nyasa and Anga-nyasa procedures)

Primary Rasa: shanta

Visual Art Cues: {"scene_description":"A practitioner touches specific body points with the right hand while reciting a four-part formula, then performs a gesture of ‘bringing to the front’ and symbolically closes eyes, ears, nostrils, and mouth to internalize awareness.","kerala_mural_prompt":"Kerala mural, close-up ritual figure performing aṅga-nyāsa with right hand, stylized mudrās, subtle depiction of sealed senses, warm earthy tones, temple interior backdrop with lamp and lotus motifs","tanjore_prompt":"Tanjore style, seated devotee before a small liṅga or śālagrāma, gold-highlighted hands in mudrā, ornate borders, emphasis on right-hand touch points and sacred geometry","mysore_prompt":"Mysore painting, diagrammatic yet elegant: four limb points indicated, sequence arrows, practitioner in yogic seat, calm palette, didactic clarity","mughal_miniature_prompt":"Mughal miniature, intimate indoor shrine scene, fine detail of hand gestures, attendants holding incense, quiet moment of sense-withdrawal, delicate linework"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: पठन्नङ्गचतुष्टयम् = पठन् + अङ्गचतुष्टयम्.

Related Themes: Agni Purana 72 (nyāsa and mantra-prayoga sequence)

A
Aṅga-nyāsa
S
Sammukhīkaraṇa
K
Kara (right hand / dakṣiṇa)

FAQs

It teaches a precise nyāsa step: touch with the right hand, recite the fourfold aṅga-mantras (aṅga-catuṣṭaya), and perform sammukhīkaraṇa to ‘close’ the sense-openings for focused mantra-practice.

Beyond mythology, the Agni Purāṇa preserves manual-like ritual technology—body-mantra mapping (nyāsa), gesture-based focusing (sammukhīkaraṇa), and sensory restraint—showing its breadth as a compendium of applied religious practice.

By restraining the sense-gates and centering attention, the practitioner reduces distraction and impurity, making japa and worship more inward, concentrated, and spiritually efficacious.