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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 2

Chapter 56 — दिक्पालयागकथनम्

Account of the Worship of the Guardians of the Directions

इच्छाफलार्थिभिस्तस्मात्प्रतिष्ठा क्रियते नरैः गर्भसूत्रं तु निःसार्य प्रासादस्याग्रतो गुरुः

icchāphalārthibhistasmātpratiṣṭhā kriyate naraiḥ garbhasūtraṃ tu niḥsārya prāsādasyāgrato guruḥ

เพราะฉะนั้น ผู้ปรารถนาผลตามความประสงค์จึงประกอบพิธีประดิษฐาน เมื่อดึง “คัรภสูตร” ออกมาแล้ว อาจารย์ผู้ประกอบพิธีนำไปยังด้านหน้าพระปราสาท (วิหาร)

icchā-phala-arthibhiḥby those desiring the wished-for fruit
icchā-phala-arthibhiḥ:
Karta (कर्ता/agent in passive)
TypeNoun
Rooticchā (प्रातिपदिक) + phala (प्रातिपदिक) + arthin (प्रातिपदिक)
FormMasculine, Instrumental (3rd/तृतीया), Plural; तत्पुरुष (इच्छितफलस्य अर्थी)
tasmāttherefore
tasmāt:
Hetu (हेतु)
TypeIndeclinable
Roottad (सर्वनाम-प्रातिपदिक)
FormAblative used adverbially (तस्मात्-निपातवत्), ‘therefore/from that’
pratiṣṭhāconsecration
pratiṣṭhā:
Karma (कर्म/subject of passive)
TypeNoun
Rootpratiṣṭhā (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular
kriyateis performed
kriyate:
Kriyā (क्रिया)
TypeVerb
Rootkṛ (धातु)
FormPresent (लट्), Passive voice (कर्मणि), 3rd Person (प्रथमपुरुष), Singular
naraiḥby men
naraiḥ:
Karta (कर्ता/agent in passive)
TypeNoun
Rootnara (प्रातिपदिक)
FormMasculine, Instrumental (3rd/तृतीया), Plural
garbha-sūtramthe garbha-thread/cord
garbha-sūtram:
Karma (कर्म)
TypeNoun
Rootgarbha (प्रातिपदिक) + sūtra (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular; तत्पुरुष (गर्भस्य सूत्रम्)
tuand/indeed
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
FormParticle (तु-निपात)
niḥsāryahaving drawn out/removed
niḥsārya:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Rootniḥ-√sṛ (धातु)
FormAbsolutive/Gerund (क्त्वा/ल्यप्), ‘having taken out’; उपसर्ग: निः
prāsādasyaof the temple
prāsādasya:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootprāsāda (प्रातिपदिक)
FormMasculine, Genitive (6th/षष्ठी), Singular
agrataḥin front
agrataḥ:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Rootagratas (अव्यय)
FormAdverb (स्थानवाचक-अव्यय)
guruḥthe teacher/priest
guruḥ:
Karta (कर्ता)
TypeNoun
Rootguru (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular

Lord Agni (teaching sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Vastu","secondary_vidya":"Dharmashastra","practical_application":"Operational step in temple consecration: establishing and extending the garbha-sūtra (axis/cord-line) from the sanctum to the temple front for alignment and ritual-architectural correctness.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Drawing out the garbha-sūtra before consecration","lookup_keywords":["garbha-sūtra","pratiṣṭhā","ācārya guru","prāsāda agrataḥ","axis line"],"quick_summary":"Consecration is performed for desired results; the guru first draws out the sanctum’s guiding cord/axis (garbha-sūtra) and brings it to the temple front, establishing alignment for subsequent rites."}

Concept: Ritual action (pratiṣṭhā) is undertaken with intentionality (icchā-phala) and must be grounded in correct spatial order (axis/alignment).

Application: In temple work, ensure the sanctum axis is correctly established and extended before invoking presence; misalignment is treated as ritual-architectural fault.

Khanda Section: Vastu-vidya / Pratishtha-vidhi (Temple architecture and consecration rites)

Primary Rasa: śānta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A guru-ācārya at a temple, pulling a sacred cord/line from the garbhagṛha outward to the front, assistants holding the line taut, marking the axis on the ground for consecration.","kerala_mural_prompt":"Kerala mural, temple forecourt with garbhagṛha doorway, ācārya extending a white cord (garbha-sūtra), assistants with measuring rods, stylized architecture, ritual calm, bright flat palette.","tanjore_prompt":"Tanjore style, temple façade with gold highlights, ācārya holding the garbha-sūtra, ornate kalasha motifs at the entrance, rich jewel tones, embossed gold detailing.","mysore_prompt":"Mysore painting, technical depiction of axis-line marking, clear geometry on floor, ācārya and assistants, soft colors, fine outlines, instructional clarity.","mughal_miniature_prompt":"Mughal miniature, precise architectural lines, artisans and priest measuring and extending a cord from sanctum to courtyard, detailed textiles and tools, subtle shading."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: icchāphalārthibhis tasmāt pratiṣṭhā = icchā-phala-arthibhiḥ tasmāt pratiṣṭhā; tasmātpratiṣṭhā = tasmāt pratiṣṭhā; prāsādasyāgrataḥ = prāsādasya agrataḥ.

Related Themes: Agni Purana 56 (mandapa/vedi/kalaśa topics continuing); Agni Purana 55 (piṇḍikā and installation preliminaries)

A
Agni
G
Guru/Ācārya
P
Prāsāda (temple)
P
Pratiṣṭhā
G
Garbha-sūtra

FAQs

It gives a practical step of prāsāda-pratiṣṭhā: the officiating ācārya draws out and brings forward the garbha-sūtra—the sanctum’s guiding cord/axis-line used to align and execute the installation procedure.

Beyond mythology, it preserves applied Vastu and ritual engineering details—how spatial markers (like the garbha-sūtra) are handled during temple consecration—showing the text’s coverage of architecture, geometry, and liturgy.

Pratiṣṭhā is presented as a means to attain desired fruits (iṣṭa-phala); correctly following the guru-led procedure is treated as ritually efficacious, aligning sacred space so worship yields intended merit and outcomes.