Previous Verse
Next Verse

Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 6

Vāsudevādi-pratimā-lakṣaṇa-vidhiḥ

Iconographic and Iconometric Procedure for Vāsudeva and the Vyūha Forms

नाभिमेढ्रान्तरन्तालं द्वितालावूरुकौ तथा तालद्वयेन जङ्घा स्यात् सूत्राणि शृणु साम्प्रतं

nābhimeḍhrāntarantālaṃ dvitālāvūrukau tathā tāladvayena jaṅghā syāt sūtrāṇi śṛṇu sāmprataṃ

ช่วงระหว่างสะดือกับอวัยวะเพศกำหนดเป็นหนึ่งตาละ; ต้นขาสองตาละ; และหน้าแข้ง (ช่วงขาล่าง) สองตาละ. บัดนี้จงฟังสูตรว่าด้วยการวัด.

nābhi-meḍhra-antara-antālamthe intermediate length between navel and genitals
nābhi-meḍhra-antara-antālam:
Karma (कर्म)
TypeNoun
Rootnābhi (प्रातिपदिक) + meḍhra (प्रातिपदिक) + antara (प्रातिपदिक) + antāla (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन); समासः—षष्ठी-तत्पुरुषः (nābhi-meḍhra-antara = ‘between navel and genitals’) + तत्पुरुषः (antara-antāla = ‘intermediate measure/length’)
dvi-tālautwo tālas (a measure)
dvi-tālau:
Karta (कर्ता)
TypeNoun
Rootdvi (प्रातिपदिक) + tāla (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Dual (द्विवचन); द्विगु-समासः (numeral compound)
ūrukauthe two thighs
ūrukau:
Karta (कर्ता)
TypeNoun
Rootūru (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Dual (द्विवचन)
tathālikewise / also
tathā:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Roottathā (अव्यय)
FormAvyaya (अव्यय); adverb (क्रियाविशेषण)
tāla-dvayenaby a pair of tālas
tāla-dvayena:
Karana (करण)
TypeNoun
Roottāla (प्रातिपदिक) + dvaya (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Instrumental (3rd/तृतीया), Singular (एकवचन); तत्पुरुष-समासः (dvaya of tāla)
jaṅghāthe shank / lower leg
jaṅghā:
Karta (कर्ता)
TypeNoun
Rootjaṅghā (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
syātshould be / is to be
syāt:
Kriya (क्रिया)
TypeVerb
Rootas (धातु)
FormOptative (विधिलिङ्), 3rd person (प्रथमपुरुष), Singular (एकवचन); parasmaipada (परस्मैपद)
sūtrāṇithreads / cords
sūtrāṇi:
Karma (कर्म)
TypeNoun
Rootsūtra (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Plural (बहुवचन)
śṛṇuhear / listen
śṛṇu:
Kriya (क्रिया)
TypeVerb
Rootśru (धातु)
FormImperative (लोट्), 2nd person (मध्यमपुरुष), Singular (एकवचन); parasmaipada (परस्मैपद)
sāmpratamnow / at present
sāmpratam:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootsāmprata (प्रातिपदिक)
FormAvyaya (अव्यय); adverb (कालवाचक)

Lord Agni (in dialogue, instructing a sage—commonly transmitted to Vasiṣṭha in the Agni Purāṇa frame)

Vidya Category: {"primary_vidya":"Shilpa","secondary_vidya":"Vastu","practical_application":"Pratimā-nirmāṇa (icon-making): fixing canonical body proportions in tāla-units for sculpting, casting, and painting sacred images.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Tāla-pramāṇa: lower-body proportions (nābhi to meḍhra, ūru, jaṅghā)","lookup_keywords":["tāla-pramāṇa","pratimā-lakṣaṇa","ūru-jaṅghā-māna","nābhi-meḍhra-antara"],"quick_summary":"Defines standard tāla-based measures for the lower body: navel-to-genital interval, thighs, and shanks. Used to keep icons anatomically and ritually proportionate."}

Concept: Rūpa-siddhi through pramāṇa (right form arises from right measure).

Application: Use proportional canons to avoid doṣa (fault) in icons and to ensure ritual acceptability of the image.

Khanda Section: Vāstu-śāstra / Śilpa-śāstra (Iconometry and proportional measurement)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A master sculptor demonstrates a standing icon’s lower-body measurements using a measuring cord, marking navel, genital region, thighs, and shanks in tāla units on a proportional grid.","kerala_mural_prompt":"Kerala temple mural style, warm earthy palette, guru-śilpin holding a white measuring cord (sūtra) against a standing pratimā outline, clear marks at nābhi and meḍhra, annotated tāla divisions, traditional workshop setting with palm-leaf manuscripts.","tanjore_prompt":"Tanjore painting, gold-leaf accents on the pratimā outline and tools, artisan measuring the lower body with a cord, stylized lotus motifs, rich reds and greens, emphasis on sacred craftsmanship.","mysore_prompt":"Mysore painting style, fine linework, instructional diagram feel: standing figure with segmented tāla bands, labels for ūru and jaṅghā, artisan with measuring cord, muted elegant colors.","mughal_miniature_prompt":"Mughal miniature, atelier scene with a craftsman measuring a figure on paper and a small clay model, precise detailing of cord and markings, architectural studio background, delicate borders."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: nābhimeḍhrāntarantālaṃ → nābhi-meḍhra-antara-antālam; dvitālāvūrukau → dvi-tālau + ūrukau; तालद्वयेन unchanged; जङ्घा स्यात् (syāt from √as); no further sandhi required.

Related Themes: Agni Purāṇa Pratimā-lakṣaṇa / Tāla-pramāṇa sections (surrounding verses in adhyāya 44)

T
Tāla (iconometric unit)
S
Sūtra (rule/canon)

FAQs

It teaches śilpa-śāstra iconometry: specific body-part proportions expressed in tāla units (navel-to-genitals = 1 tāla; thighs = 2 tālas; shanks = 2 tālas) used when designing or sculpting images.

Beyond theology, the Agni Purāṇa preserves practical technical sciences—here, standardized proportional rules for icon-making and temple arts—showing its coverage of Vāstu/Śilpa alongside ritual, polity, medicine, and poetics.

Correct proportions support a ‘properly formed’ sacred image, which is traditionally held to enhance the efficacy of installation and worship, aligning artistic craft with dharma and devotional merit.