Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 1
Chapter 43 — प्रासाददेवतास्थापनम्
Installation of Deities in a Temple
इत्य् आदिमहापुराणे आग्नेये प्रासादलक्षणं नाम द्वाचत्त्वारिंशो ऽध्यायः अथ त्रिचत्वारिंशो ऽध्यायः प्रासाददेवतास्थापनं भगवानुवाच प्रासादे देवताः स्थाप्या वक्ष्ये ब्रह्मन् शृणुष्व मे पञ्चायतमध्ये तु वासुदेवं निवेशयेत्
ity ādimahāpurāṇe āgneye prāsādalakṣaṇaṃ nāma dvācattvāriṃśo 'dhyāyaḥ atha tricatvāriṃśo 'dhyāyaḥ prāsādadevatāsthāpanaṃ bhagavānuvāca prāsāde devatāḥ sthāpyā vakṣye brahman śṛṇuṣva me pañcāyatamadhye tu vāsudevaṃ niveśayet
ดังนี้ ในอาทิมหาปุราณะ ภาคอาคเนยะ (อัคนีปุราณะ) บทที่ ๔๒ ชื่อ “ลักษณะของปราสาท (ปราสาทลักษณะ)” ได้สิ้นสุดลงแล้ว. บัดนี้เริ่มบทที่ ๔๓ คือ “การสถาปนาเทวะในปราสาท”. พระผู้เป็นเจ้าตรัสว่า: “ควรสถาปนาเทวะทั้งหลายไว้ในปราสาท; โอ พราหมณ์ จงฟัง เราจักกล่าววิธี. ในกลางผังปัญจายตนะ พึงประดิษฐานวาสุเทวะ.”
Bhagavān (Lord Agni as narrator in the Agni Purana tradition)
Vidya Category: {"primary_vidya":"Shilpa","secondary_vidya":"Tantra","practical_application":"Temple consecration sequence: transitioning from prāsāda-lakṣaṇa to prāsāda-devatā-sthāpana; establishes pañcāyatana center placement of Vāsudeva for worship and daily ritual.","sutra_style":false}
Encyclopedic Reference: {"reference_type":"Description","entry_title":"Prāsāda-devatā-sthāpana: Vāsudeva in pañcāyatana-madhya","lookup_keywords":["prāsāda devatā sthāpana","pañcāyatana","Vāsudeva center","temple installation","Agni Purana 43"],"quick_summary":"Begins the chapter on installing deities in a temple. Core rule stated: in the pañcāyatana scheme, install Vāsudeva at the center as the principal deity."}
Concept: Hierarchy of worship: īśvara as center; subsidiary deities harmonized around the principal for integrated devotion.
Application: During temple planning and consecration, ensure the central sanctum enshrines Vāsudeva; subsidiary shrines support daily pūjā cycles.
Khanda Section: Vāstu-Śāstra (Prāsāda-lakṣaṇa & Prāsāda-devatā-sthāpana / Temple Architecture and Deity Installation)
Primary Rasa: shanta
Secondary Rasa: bhakti
Visual Art Cues: {"scene_description":"A temple interior with a pañcāyatana plan: central sanctum receiving Vāsudeva’s installation; priest instructing a disciple; kalasha, flowers, and consecration vessels present; chapter colophon transition implied by manuscript setting.","kerala_mural_prompt":"Kerala mural: temple sanctum with central Vāsudeva, four subsidiary shrines hinted, priests performing pratiṣṭhā with lamps and kalasha, rich earthy tones, stylized lotus and creeper borders","tanjore_prompt":"Tanjore painting: Vāsudeva enthroned in the center with gold halo and ornate arch, priests offering ārati, embossed gold work on jewelry and prabhāmaṇḍala, symmetrical pañcāyatana framing","mysore_prompt":"Mysore style: clear depiction of pañcāyatana layout, central installation ritual with measured steps, soft colors, fine facial detailing, instructional clarity with temple plan inset","mughal_miniature_prompt":"Mughal miniature: consecration ceremony in a temple courtyard, central shrine emphasized, priests and patrons present, detailed vessels and textiles, architectural perspective with delicate ornament"}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"slow","voice_tone":"devotional"}
Sandhi Resolution Notes: ‘ity’ = iti + (avagraha/phonetic). ‘dvācattvāriṃśo ’dhyāyaḥ’ = dvācatvāriṃśaḥ + adhyāyaḥ. Compounds: ādi-mahā-purāṇe, prāsāda-lakṣaṇam, prāsāda-devatā-sthāpanam, pañcāyata-madhye.
Related Themes: Agni Purana 42 (Prāsāda-lakṣaṇa conclusion); Agni Purana 43.3 (center Nārāyaṇa and corner deities)
FAQs
It gives a core Vāstu–Pūjā instruction for temple consecration: in a pañcāyatana (five-shrine) layout, Vāsudeva is installed at the central position, with other deities arranged around.
It demonstrates the Agni Purāṇa’s practical, manual-like coverage of applied sciences (here, Vāstu-śāstra and pratimā/pratiṣṭhā-vidhi), moving from architectural characteristics (prior chapter) to installation protocol (this chapter).
Centering Vāsudeva in the pañcāyatana formalizes the temple as a dharmic field of worship, aiming at purity, merit (puṇya), and orderly devotion through correctly established divine presence.