Previous Verse
Next Verse

Agni Purana — Mantra-shastra, Shloka 26

Chapter 312 — Various Mantras (नानामन्त्राः)

नित्याभया मङ्गला च नववीरा च मङ्गला दुर्भगा मनोन्मनी पूज्या द्रावा पूर्वादितः स्थिता

nityābhayā maṅgalā ca navavīrā ca maṅgalā durbhagā manonmanī pūjyā drāvā pūrvāditaḥ sthitā

พระนางคือ นิตยาภยา (ผู้ไร้ความหวาดกลัวเป็นนิตย์), มังคลา (ผู้ประทานมงคล), นววีรา (ผู้มีวีรภาพเก้าประการ) และยังเป็นมังคลาอีกครั้งหนึ่ง; พระนางคือ ทุรภคา (ผู้ขจัดเคราะห์ร้าย), มโนन्मนี (ผู้เหนือจิต), ปูชยา (ควรแก่การบูชา), ทราวา (ผู้ทำให้อุปสรรคละลายไหลไป) และทรงสถิตมั่นในทิศตะวันออกเป็นต้นไป.

नित्याभया(She who is) eternally fearless
नित्याभया:
Karta (कर्ता/सम्बोधन-रहित नामनिर्देश)
TypeNoun
Rootनित्य-अभया (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; कर्मधारयः—नित्या च अभया च (a goddess who is eternally fearless)
मङ्गलाAuspicious one
मङ्गला:
Karta (कर्ता/नाम)
TypeNoun
Rootमङ्गला (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
नववीराnew/ever-fresh heroine (valiant one)
नववीरा:
Karta (कर्ता/नाम)
TypeNoun
Rootनव-वीरा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; कर्मधारयः—नवा (नवीन) वीरा (valiant)
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय
मङ्गलाAuspicious one
मङ्गला:
Karta (कर्ता/नाम)
TypeNoun
Rootमङ्गला (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
दुर्भगाDurbhagā (name/title)
दुर्भगा:
Karta (कर्ता/नाम)
TypeNoun
Rootदुर्भगा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
मनोन्मनीManonmanī (name/title)
मनोन्मनी:
Karta (कर्ता/नाम)
TypeNoun
Rootमनोन्मनी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
पूज्याworthy of worship
पूज्या:
Karta (कर्ता/विशेषण)
TypeAdjective
Rootपूज्य (कृदन्त-प्रातिपदिक; √पूज्)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; कृदन्तः—तव्यत्/यत्-प्रत्ययार्थः ‘पूजनीया’ (worthy to be worshipped)
द्रावाDrāvā (name/title)
द्रावा:
Karta (कर्ता/नाम)
TypeNoun
Rootद्रावा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
पूर्वादितःfrom the east / beginning with the east
पूर्वादितः:
Adhikarana (अधिकरण/स्थान-निर्देश)
TypeIndeclinable
Rootपूर्व-आदि (प्रातिपदिक) + तस् (तद्धित अव्यय)
Formअव्यय (adverb); तद्धित-प्रत्यय ‘-तस्’ (ablatival adverb) — ‘पूर्वादौ/पूर्वतः’ sense: from the east/starting with the east
स्थिताsituated/placed
स्थिता:
Karta (कर्ता/विशेषण)
TypeAdjective
Rootस्थित (कृदन्त-प्रातिपदिक; √स्था)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; भूतकृदन्त (क्त) — ‘स्थित’ (standing/placed)

Lord Agni (narrating to Sage Vasiṣṭha in the Agni Purana’s instructional dialogue style)

Vidya Category: {"primary_vidya":"Stotra","secondary_vidya":"Puja-vidhi","practical_application":"Protective recitation of Devi-epithets during worship, especially for auspiciousness, fearlessness, and removal of misfortune; directional (dik) placement for ritual completeness.","sutra_style":false}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Devi Epithets: Nityabhaya–Mangala–Navavira etc. with Dik-sthiti","lookup_keywords":["Nityabhaya","Mangala","Navavira","Manonmani","dik-sthiti"],"quick_summary":"A compact list of Devi-names used as protective and auspicious invocations, with an indication of her establishment beginning in the East for ritual orientation."}

Alamkara Type: Namavali (epithet-catalogue); mild Anuprasa via repeated Maṅgalā

Concept: Devi as both worldly auspiciousness (maṅgala) and mind-transcending reality (manonmanī).

Application: Use the names as bhāva-support: invoke protection and auspiciousness while cultivating inward transcendence during japa/puja.

Khanda Section: Puja-vidhi / Devi-nama-stotra (Goddess epithets for worship and protection)

Primary Rasa: Shanta

Secondary Rasa: Adbhuta

Visual Art Cues: {"scene_description":"A Devi shrine with the Goddess invoked through a garland of epithets; worship begins facing East, with subtle directional markers around the sanctum.","kerala_mural_prompt":"Kerala temple mural: serene Devi with halo, priests chanting namavali, east-facing lamp and kalasha, directional lotuses around, earthy reds and ochres, flat iconic composition.","tanjore_prompt":"Tanjore painting: Devi as Maṅgalā with rich jewelry and gold leaf prabhavali, devotees offering flowers, east-direction indicated by rising sun motif, ornate arch and lamps.","mysore_prompt":"Mysore painting: instructional puja scene showing worshipper oriented to East, labeled dik markers, Devi seated calmly, delicate lines and soft colors.","mughal_miniature_prompt":"Mughal miniature: courtly devotional setting with a small sanctum, worshipper facing East, calligraphic cartouche listing epithets, fine detailing and pastel palette."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"devotional"}

Sandhi Resolution Notes: No major external sandhi; list of epithets in nominative feminine singular. ‘पूर्वादितः’ analyzed as pūrvādi + -tas (taddhita adverb), functioning adverbially.

Related Themes: Agni Purana 312 (Devi-nama-stotra context); Agni Purana 313–314 (mantra/nyasa continuations in adjacent sections)

D
Devi (Goddess as a set of epithets: Nityābhayā, Maṅgalā, Navavīrā, Durbhagā, Manonmanī, Pūjyā, Drāvā)
D
Directions (East and onward)

FAQs

It provides a ritual list of Devi-epithets used for japa/stotra in worship, along with a directional cue (“beginning with the East”), indicating placement or invocation order in a puja.

It exemplifies the text’s cataloging function: preserving precise liturgical name-lists (nāma/epithet traditions) and practical ritual details (directional sequencing) alongside other disciplines.

Reciting and meditating on these names frames the Goddess as auspicious and fear-dispelling, aiming at protection, removal of obstacles/ill-fortune, and inner transcendence beyond the mind (manonmanī).