Prahlada’s Defeat by Nara-Narayana and Victory through Bhakti
तत्र दृष्ट्वा महादेवं नदीं स्नातुमवातरत् अवतीर्णं प्रजग्राह नागः केकरलोहितः
tatra dṛṣṭvā mahādevaṃ nadīṃ snātumavātarat avatīrṇaṃ prajagrāha nāgaḥ kekaralohitaḥ
అక్కడ మహాదేవుని దర్శించి స్నానార్థం నదిలో దిగాడు; దిగిన వెంటనే ‘కేకర-లోహిత’ అనే నాగుడు అతనిని పట్టుకున్నాడు।
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Even in sacred acts (snāna after darśana), obstacles may arise; the narrative pattern typically teaches steadiness in dharma and reliance on divine order rather than complacency in piety.
It belongs to narrative/episode material (ākhyāna) supporting tīrtha-māhātmya and dharma themes, not to sarga/pratisarga genealogical catalogues directly.
The nāga’s seizure can symbolize latent dangers (inner passions/saṃskāras) that surface precisely at liminal moments (descending into waters), while Mahādeva’s presence signals that Śaiva grace/order frames the episode’s resolution.