यमस्य पथि निर्मुक्ता जनाः पापशतैर्वृताः । गीतशास्त्रविनोदेन द्वादशीजागरान्विताः
yamasya pathi nirmuktā janāḥ pāpaśatairvṛtāḥ | gītaśāstravinodena dvādaśījāgarānvitāḥ
వందల పాపములతో చుట్టుముట్టబడిన జనులైనను, ద్వాదశీ జాగరణంతో భజన-శాస్త్రపఠనానందంలో లీనులైతే యమపథమునుండి విముక్తులగుదురు.
Skanda (Kārttikeya)
Tirtha: Dvārakā
Type: kshetra
Listener: Pilgrim audience/teacher-disciple setting of the māhātmya
Scene: A dramatic moral tableau: shadowy figures burdened by sins approach a dark road marked by Yama’s symbols; then, through Dvādaśī vigil—singing and scripture—light pours from Hari’s shrine, breaking the path and freeing them.
Devotional vigil on Dvādaśī, joined with sacred music and scripture, is presented as a powerful purifier that nullifies heavy sin and fear of death’s judgment.
The broader context is Dvārakā’s sanctity within the Dvārakā Māhātmya.
Dvādaśī jāgaraṇa accompanied by gīta (devotional singing) and śāstra (scriptural recitation/discourse).