एतं दुःशीलजं यस्तु पठेदाख्यानमुत्तमम् । स सर्वैर्मुच्यते पापैरज्ञानविहितैर्नृप
etaṃ duḥśīlajaṃ yastu paṭhedākhyānamuttamam | sa sarvairmucyate pāpairajñānavihitairnṛpa
ఓ నృపా! దుశ్శీలుని కథనమునుండి జనించిన ఈ ఉత్తమాఖ్యానాన్ని ఎవడు పఠిస్తాడో, అతడు అజ్ఞానవశాత్తు చేసిన సమస్త పాపాలనుండి విముక్తుడవుతాడు।
Narrator addressing a king (nṛpa)
Tirtha: Hāṭakeśvara-kṣetra (as the māhātmya being recited)
Type: kshetra
Listener: O king (nṛpa) addressed; also sages in the outer frame
Scene: A sage or narrator recites the ‘uttamākhyāna’ to a seated king; palm-leaf manuscript or rosary in hand; listeners attentive; subtle aura indicating purification as words flow.
Purāṇic listening/recitation is presented as a purifier, especially for faults rooted in ignorance.
The phalaśruti belongs to the Hāṭakeśvara-kṣetra māhātmya narrative cycle within Nāgarakhaṇḍa.
Recitation/reading (paṭhana) of the ākhyāna is recommended as a meritorious practice.
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