देवस्तुतिः (Devastuti) — Hymn/Praise of the Devas
उपलेषु समस्तेषु स्फटिकस्त्वं महेश्वर । कमलस्त्वं प्रसूनेषु शैलेषु हिमवांस्तथा
upaleṣu samasteṣu sphaṭikastvaṃ maheśvara | kamalastvaṃ prasūneṣu śaileṣu himavāṃstathā
హే మహేశ్వరా! సమస్త రాళ్లలో నీవు స్ఫటికం; పుష్పాలలో నీవు కమలం; పర్వతాలలో నీవు హిమవాన్ (హిమాలయం).
Suta Goswami (narrating the hymn of praise addressed to Shiva within the Yuddhakhaṇḍa context)
Tattva Level: pati
Shiva Form: Mahādeva
Sthala Purana: The crystal/lotus/Himavān triad is emblematic: crystal for transparency (pure consciousness), lotus for untouched purity, Himalaya for immovable steadiness—used as praise rather than a site legend.
Significance: Supports dhyāna: meditating on Śiva as sphaṭika (crystal) encourages inner clarity and removal of mala (impurity).
Type: stotra
Role: teaching
Offering: pushpa
The verse teaches Shiva’s immanence: within each class of created things, the devotee perceives the Lord as the highest, purest exemplar—symbolizing that Pati (Shiva) pervades the world while remaining supremely transcendent.
Like the Liṅga, which is a concrete focus for the formless Reality, these comparisons (crystal, lotus, Himalaya) are Saguna pointers—pure, elevated symbols through which the mind steadies in devotion and recognizes Shiva as the indwelling Lord.
Practice contemplative japa of the Pañcākṣarī (“Om Namaḥ Śivāya”) while visualizing Shiva as crystal-like purity and lotus-like auspiciousness, and offer a lotus (or white flowers) to the Liṅga as an external support for inner recollection.