Śiva-nāma-sahasraka-kathana
The Recital/Teaching of the Thousand Names of Śiva
स्तव्यः स्तवप्रियः स्तोता व्यासमूर्तिर्निरंकुलः । निरवद्यमयोपायो विद्याराशिश्च सत्कृतः
stavyaḥ stavapriyaḥ stotā vyāsamūrtirniraṃkulaḥ | niravadyamayopāyo vidyārāśiśca satkṛtaḥ
ఆయన స్తుత్యుడు, స్తోత్రప్రియుడు, స్వయంగా సత్య స్తోతా. వ్యాసమూర్తి, నిత్య నిరాకులుడు. నిరవద్య ఉపాయం, విద్యారాశి, సజ్జనులచే సత్కృతుడు।
Suta Goswami
Tattva Level: pati
Shiva Form: Dakṣiṇāmūrti
Type: stotra
Role: teaching
Offering: pushpa
The verse presents Shiva as both the supreme object of devotion and the inner source of devotion itself—worthy of praise, pleased by sincere stuti, and the flawless upāya for liberation, combining grace (anugraha) with right knowledge.
By emphasizing Shiva as “stavapriya” and “stavyah,” it supports Saguna worship—approaching the Lord through hymns, names, and forms such as the Jyotirlinga—while also pointing to His transcendent stability (“niraṅkulaḥ”) beyond mental disturbance.
Regular recitation of Shiva-stotras and japa—especially with the Panchakshara (Om Namaḥ Śivāya)—is implied as a pure means; it can be paired with traditional Shaiva observances like bhasma (tripuṇḍra) and Rudrākṣa as supports for steadiness and devotion.