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Valmiki Ramayana 2.20.6: Ayodhya Kanda, Sarga 20, Shloka 6

अयोध्याकाण्डे विंशः सर्गः · Rama Enters Kauśalyā’s Antaḥpura; Ritual Preparations and the Shock of Exile

Setting: Ayodhya inner palace (antaḥpura)

इति सर्वा महिष्यस्ता विवत्सा इव धेनवः ।

पतिमाचुक्रुशुश्चैव सस्वरं चापि चुक्रुशुः ॥६॥

Recitation with translationValmiki Ramayana 2.20.6

iti sarvā mahiṣyas tā vivatsā iva dhenavaḥ |

patim ācukruśuś caiva sasvaraṃ cāpi cukruśuḥ ||6||

ఇలా ఆ ప్రధాన మహిషులందరూ—దూడలేని ఆవులవలె—తమ భర్తను ఉద్దేశించి పెద్ద స్వరంతో విలపిస్తూ, గట్టిగా ఆర్తనాదం చేశారు.

इतिthus
इति:
TypeIndeclinable
Rootइति (अव्यय)
Formअव्यय; इति-शब्दः (quotative particle/marker of speech: “thus”)
Roleसम्बन्ध/वाक्योपसंहार (discourse marker)
सर्वाःall
सर्वाः:
TypeAdjective
Rootसर्व (सर्व-प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा-विभक्ति; बहुवचन (feminine nominative plural)
Roleकर्तृ (agent; qualifier of mahiṣyāḥ)
महिष्याःthe queens / king's wives
महिष्याः:
TypeNoun
Rootमहिषी (महिषी-प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा-विभक्ति; बहुवचन (feminine nominative plural)
Roleकर्तृ (agent; subject)
ताःthose (women)
ताः:
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा-विभक्ति; बहुवचन (feminine nominative plural; pronoun)
Roleकर्तृ (appositive to mahiṣyāḥ)
विवत्साःcalfless
विवत्साः:
TypeAdjective
Rootविवत्स (विवत्स-प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा-विभक्ति; बहुवचन (feminine nominative plural; used adjectivally)
Roleकर्तृ (qualifier; in simile)
इवlike
इव:
TypeIndeclinable
Rootइव (अव्यय)
Formअव्यय; उपमा-वाचक (particle of comparison: “like/as”)
Roleउपमान-सम्बन्ध (simile marker)
धेनवःcows
धेनवः:
TypeNoun
Rootधेनु (धेनु-प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा-विभक्ति; बहुवचन (feminine nominative plural)
Roleउपमान (standard of comparison)
पतिम्husband
पतिम्:
TypeNoun
Rootपति (पति-प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया-विभक्ति; एकवचन (masculine accusative singular)
Roleकर्म (object)
आचुक्रुशुःcried out to / lamented for
आचुक्रुशुः:
TypeVerb
Rootआ + क्रुश् (धातु: क्रुश्; उपसर्ग: आ)
Formलिट्-लकार (परोक्सभूत/Perfect); प्रथम-पुरुष; बहुवचन; परस्मैपद (3rd person plural, perfect, parasmaipada)
Roleक्रिया (verbal action)
चand
च:
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय-बोधक (conjunction “and”)
Roleसमुच्चय (coordination)
एवindeed
एव:
TypeIndeclinable
Rootएव (अव्यय)
Formअव्यय; अवधारण (emphatic particle: “indeed/just”)
Roleअवधारण (emphasis)
सस्वरम्loudly / with a loud voice
सस्वरम्:
TypeIndeclinable
Rootस + स्वर (स्वर-प्रातिपदिक; उपसर्गवत् ‘स-’ = ‘with’)
Formअव्ययभावेन प्रयुक्तं नपुंसकलिङ्ग-द्वितीया-एकवचन (adverbial accusative: “with voice/loudly”)
Roleक्रियाविशेषण (adverbial modifier)
चand
च:
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय-बोधक (conjunction “and”)
Roleसमुच्चय (coordination)
अपिalso
अपि:
TypeIndeclinable
Rootअपि (अव्यय)
Formअव्यय; समुच्चय/अप्यर्थ (particle: “also/even”)
Roleसमुच्चय (addition)
चुक्रुशुःcried / wailed
चुक्रुशुः:
TypeVerb
Rootक्रुश् (धातु: क्रुश्)
Formलिट्-लकार (परोक्सभूत/Perfect); प्रथम-पुरुष; बहुवचन; परस्मैपद (3rd person plural, perfect, parasmaipada)
Roleक्रिया (verbal action)
  • Sandhi resolution: महिष्यस्ता = महिष्याः + ताः
  • पतिमाचुक्रुशुः = पतिम् + आचुक्रुशुः
  • आचुक्रुशुश्चैव = आचुक्रुशुः + च + एव
  • सस्वरं चापि = सस्वरम् + च + अपि. Meter punctuation normalized

Thus all the queens like calfless cows cried loudly blaming their husband.

Even in a dharmic polity, truth-keeping can precipitate intense human suffering; compassion must accompany duty.

Duties in tension

  • King’s duty to keep boons/word vs duty to protect and enthrone the righteous heir
  • Queens’ duty to support royal dharma vs maternal grief and protest
Ethical theme
Rāja-dharma vs familial dharma
How it resolves
Emotional protest foregrounded

Practice witnessing collective emotion without being swept away; cultivate karuṇā with steadiness.

Rasa
Karuna (compassion)
Mood
Wailing, bereft, communal-grief

Themes

  • Dharma
  • Satya
  • Royal household
  • Shoka (grief)
  • Ethics

D
Dasharatha (implied by pati)

FAQs

It shows the human cost that can accompany dharma-bound royal decisions: even when truth and vows are upheld, the household may be shaken by grief, revealing dharma’s severity as well as its necessity.

Within the palace, the queens collectively break into loud lamentation, comparing themselves to calfless cows amid the crisis surrounding Rama.

Not a single virtue but a shared emotional reality: the queens’ vulnerability and attachment, illustrating the epic’s compassionate portrayal of suffering.

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