Supremacy of Hari-Bhakti in Kali-yuga; Warnings on Sensual Attachment; Praise of Brāhmaṇas, Purāṇa-Listening, and Gaṅgā
यत्किंचिद्विद्यते पुंसां तच्च कृष्णे समर्पयेत् । कृष्णार्पितं कुशलदमन्यार्पितमसौख्यदम्
yatkiṃcidvidyate puṃsāṃ tacca kṛṣṇe samarpayet | kṛṣṇārpitaṃ kuśaladamanyārpitamasaukhyadam
మనుష్యునికి ఏది ఉన్నా అది కృష్ణునికి సమర్పించాలి. కృష్ణార్పితం క్షేమాన్ని ఇస్తుంది; ఇతరులకు అర్పితం అసౌఖ్యాన్ని కలిగిస్తుంది.
Unspecified (narratorial/teaching voice within Svargakhaṇḍa context)
Concept: Consecrate everything to Krishna; offerings to Krishna yield auspicious welfare, while misdirected offerings (devoid of divine orientation) lead to unease.
Application: Before using money, time, or skills, mentally dedicate them to Krishna—support dharmic causes, feed devotees, maintain purity of intention in work.
Primary Rasa: shanta
Secondary Rasa: vira
Visual Art Cues: {"scene_description":"A devotee stands before a gentle, smiling Krishna, placing everyday items—waterpot, fruits, a small pouch of coins, a manuscript—onto a leaf-plate as offerings. The objects glow subtly once touched by the devotee’s arpaṇa-buddhi, while shadowy, restless forms behind represent the discomfort of misdirected desire.","primary_figures":["Krishna","a householder devotee","attendant devotees (optional)"],"setting":"A simple shrine room with a small altar, tulsi-shaped lampstand motifs (decorative, not explicit worship), and offerings arranged neatly.","lighting_mood":"golden dawn","color_palette":["peacock blue","butter-yellow","coral pink","sandalwood beige","antique gold"],"tanjore_prompt":"Tanjore painting style: Krishna as central figure with gold leaf halo, ornate crown; devotee offering a tray of fruits, coins, and cloth; embossed gold on ornaments and altar arch; rich reds/greens, symmetrical composition emphasizing consecration.","pahari_prompt":"Pahari miniature style: Krishna in a courtyard shrine, soft dawn light; devotee presents humble items; delicate brushwork on textiles and jewelry; cool blues with warm highlights, refined facial expressions conveying surrender.","kerala_mural_prompt":"Kerala mural style: Krishna with bold outlines and stylized eyes; offerings rendered in clear iconographic forms; warm pigment palette with deep blue background; mural-panel framing with floral borders.","pichwai_prompt":"Pichwai cloth painting style: Krishna-centered offering scene with intricate floral borders and lotus motifs; cows and peacocks as auspicious side elements; deep blue ground, gold detailing on offerings and ornaments, textile-like pattern density."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["soft tanpura drone","gentle bell at ‘Kṛṣṇa’","low mridanga heartbeat","incense crackle (subtle)","quiet congregation hum"]}
Sandhi Resolution Notes: यत् + किंचित् → यत्किंचित्; तत् + च → तच्च; कृष्ण + अर्पितम् → कृष्णार्पितम्; अन्य + अर्पितम् → अन्यार्पितम्.
It advises dedicating whatever one has—wealth, actions, or resources—to Kṛṣṇa (kṛṣṇārpaṇa), turning ordinary living into devotional offering.
It makes Kṛṣṇa the central recipient of all offerings, implying that devotion and surrender (bhakti) are the source of true welfare (kuśala).
The verse teaches right orientation of giving and action: offerings aligned with divine devotion yield well-being, while misdirected or non-devotional offering leads to dissatisfaction or suffering.