Shloka 35
Appeasement Rite of the Sun
Sunday Vrata, Mantra, and Healing Praise
सुवर्णरेता मित्रश्च पूषा त्वष्टा च ते दश । स्वयंभूस्तिमिराशश्च द्वादशः परिकीर्तितः
suvarṇaretā mitraśca pūṣā tvaṣṭā ca te daśa | svayaṃbhūstimirāśaśca dvādaśaḥ parikīrtitaḥ
సువర్ణరేతా, మిత్ర, పూషా, త్వష్టా—ఇవి దశలో చేరినవి; అలాగే స్వయంభూ, తిమిరాశ కూడా పేర్కొనబడినవి—ఇట్లు ద్వాదశ నామములు ప్రకటించబడినవి.
Unspecified in the provided excerpt (context needed from surrounding verses)
Concept: Divinity is approached through ordered nāma lists; sacred enumeration stabilizes mind and aligns worship with cosmic time-cycles.
Application: Use structured recitation (dvādaśa-nāma) as a daily discipline; pair with monthly intentions (gratitude, restraint, service).
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A circular mandala of twelve solar emblems surrounds a central Sun deity, each segment inscribed with one name—Suvarṇaretā, Mitra, Pūṣā, Tvaṣṭṛ, Svayaṃbhū, Timirāśa—continuing the full set as a rhythmic wheel of time. The mandala floats above a calendrical landscape where seasons subtly shift around the circle, showing the Sun’s governance of months.","primary_figures":["Sūrya (central)","twelve Āditya aspects (symbolic forms)"],"setting":"Celestial mandala-space with faint zodiacal/seasonal motifs; optionally a temple ceiling-like dome.","lighting_mood":"divine radiance","color_palette":["burnished gold","cinnabar red","lapis blue","ivory","smoky gray"],"tanjore_prompt":"Tanjore painting style: a grand dvādaśa-āditya chakra with thick gold leaf segments, central Sūrya enthroned, each segment bearing a name in ornate script, rich reds/greens, gem-like highlights, temple-arch border and embossed gold patterns.","pahari_prompt":"Pahari miniature style: elegant circular mandala with fine linework, soft washes for seasonal transitions around the rim, central sun deity with refined features, cool blues contrasted with warm golds, delicate calligraphy for names.","kerala_mural_prompt":"Kerala mural style: bold circular chakra with twelve compartments, strong outlines and flat natural pigments, central Sūrya with characteristic eyes and ornaments, rhythmic repetition of motifs, temple mural composition.","pichwai_prompt":"Pichwai cloth painting style: symmetrical wheel-of-time pichwai with lotus borders, central blue-black background to intensify golden sun, twelve medallions with floral motifs and name inscriptions, intricate border vines and lotuses, devotional textile aesthetic."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["tanpura drone","hand bell at each name","soft cymbals","steady breath pauses"]}
Sandhi Resolution Notes: मित्रश्च = मित्रः + च; स्वयंभूस्तिमिराशश्च = स्वयंभूः + तिमिराशः + च। ‘सुवर्णरेता’ पाठे प्रथमा-एकवचनरूपं ‘सुवर्णरेताः/सुवर्णरेता’ इति पाठभेदसम्भवः; अत्र समनाधिकरणे सूर्यनामत्वात् प्रथमा-एकवचनार्थः।
FAQs
This verse functions primarily as an enumeration: it lists specific named figures and concludes with the total count (twelve).
Yes. Mitra and Pūṣan are well-known Vedic deities, and Tvaṣṭṛ is the divine artisan/creator figure in Vedic literature; Purāṇic texts often include such names within broader cosmological lists.
The speaker cannot be determined from this single verse alone. In the Padma Purāṇa, Sṛṣṭikhaṇḍa dialogues commonly involve sages (e.g., Pulastya) narrating to a listener (e.g., Bhīṣma), but the immediate chapter context is required to identify it accurately.