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Shloka 160

Umā’s Austerity, Kauśikī’s Manifestation, and Skanda’s Birth Leading to Tāraka’s Defeat

दैत्येंद्रस्तारको नाम सर्वामरकुलांतकृत् । बलवान्दुर्जयस्तीक्ष्णो दुराचारोतिकोपनः

daityeṃdrastārako nāma sarvāmarakulāṃtakṛt | balavāndurjayastīkṣṇo durācārotikopanaḥ

తారకుడు అనే దానవేంద్రుడు ఉండెను; అతడు సమస్త అమరకులాన్ని నాశనం చేయువాడు. బలవంతుడు, దుర్జేయుడు, కఠినుడు, దురాచారి, అత్యంత క్రోధి.

दैत्येन्द्रःlord of the Daityas
दैत्येन्द्रः:
Karta (Subject/कर्ता)
TypeNoun
Rootदैत्य + इन्द्र (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन; षष्ठी-तत्पुरुष (दैत्यानाम् इन्द्रः)
तारकःTāraka
तारकः:
Karta (Apposition/कर्ता-समनाधिकरण)
TypeNoun
Rootतारक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन
नामby name
नाम:
Sambandha-bodhaka (Naming particle)
TypeIndeclinable
Rootनाम (अव्यय)
Formअव्यय (particle indicating name)
सर्वामरकुलान्तकृत्destroyer of all the clans of immortals (gods)
सर्वामरकुलान्तकृत्:
Karta (Apposition/कर्ता-समनाधिकरण)
TypeNoun
Rootसर्व + अमर + कुल + अन्त + कृत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन; बहुपद-तत्पुरुष (सर्वेषाम् अमरकुलानाम् अन्तं करोति इति)
बलवान्powerful
बलवान्:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootबलवत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन
दुर्जयःhard to conquer
दुर्जयः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootदुर् + जय (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन; उपपद-तत्पुरुष (दुर्जयः = दुर्जयितुम् अशक्यः)
तीक्ष्णःfierce, sharp
तीक्ष्णः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootतीक्ष्ण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन
दुराचारःof wicked conduct
दुराचारः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootदुर् + आचार (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन; तत्पुरुष (दुष्टः आचारः यस्य)
अतिकोपनःexceedingly wrathful
अतिकोपनः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootअति + कोपन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन; अव्ययीभाव/तत्पुरुष-प्राय (अत्यन्तं कोपनः)

Narrator (contextual; specific speaker not explicit in this single śloka)

Concept: Adharma becomes formidable when powered by arrogance and wrath; it threatens the very institutions that sustain cosmic harmony.

Application: Recognize destructive patterns—anger, cruelty, and contempt for sacred duty—before they grow ‘hard to conquer’ in oneself or society.

Primary Rasa: raudra

Secondary Rasa: bhayanaka

Visual Art Cues: {"scene_description":"A colossal asura-king Tāraka towers amid storm-dark clouds, his eyes blazing with wrath as shattered sacrificial vessels and broken altar fires smolder below. In the distance, frightened devas retreat toward a dimmed celestial city, the very sky seeming bruised by his presence.","primary_figures":["Tāraka (daitya/dānava king)","Fleeing devas","Terrified priests (ṛtviks)"],"setting":"A ruined yajña-vedi on a windswept plain that visually blends earth and heaven—half celestial, half terrestrial—signaling cosmic disturbance.","lighting_mood":"thunderous gloom with harsh highlights","color_palette":["obsidian black","blood red","smoke gray","electric violet","dull bronze"],"tanjore_prompt":"Tanjore painting style: dramatic central Tāraka with exaggerated crown and armor, fierce eyes, and flaming weapons; broken yajña altar at his feet; devas in smaller scale at the margins; heavy gold leaf used ironically on armor and halos, rich maroons and dark greens, ornate borders with storm motifs.","pahari_prompt":"Pahari miniature style: a dark, lyrical landscape with swirling clouds; Tāraka rendered with sharp profile and intense gaze; tiny fleeing devas and scattered ritual implements; cool indigo shadows with crimson accents, delicate detailing on weapons and sacrificial vessels.","kerala_mural_prompt":"Kerala mural style: bold outlines and stylized musculature for Tāraka; intense red and black contrasts; yajña-fire depicted as disrupted, smoke curling in patterned forms; devas with characteristic wide eyes and ornate jewelry, temple-wall symmetry with ominous palette.","pichwai_prompt":"Pichwai cloth painting style: reinterpret the scene as a disrupted sacred grove with lotus borders turned chaotic; dark indigo field, crimson storm clouds, broken floral garlands; intricate border patterns showing extinguished lamps and scattered petals, emphasizing the inversion of auspiciousness."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["thunder","low drum (mridanga) strokes","conch shell (distant, urgent)","crackling fire","wind"]}

Sandhi Resolution Notes: दैत्येंद्रस्तारको = दैत्येन्द्रः + तारकः (विसर्ग-सन्धि); कुलांतकृत् = कुल + अन्तकृत् (अनुस्वार/नासिक्य); बलवान्दुर्जयस्तीक्ष्णो = बलवान् + दुर्जयः + तीक्ष्णः (न्/विसर्ग-सन्धि); दुराचारोतिकोपनः = दुराचारः + अतिकोपनः (विसर्ग-सन्धि)

T
Tāraka
D
Daityas
A
Amaras (Devas)

FAQs

Tāraka is portrayed as a powerful leader of the Daityas, characterized by extreme strength, ferocity, wicked conduct, and intense anger, and as a grave threat to the devas (immortals).

The verse establishes an archetypal Purāṇic antagonist: a nearly unconquerable asura whose nature and power endanger cosmic order, setting the stage for divine intervention.

It implies that moral corruption and uncontrolled anger are defining marks of destructive power—strength without dharma becomes a threat to society and cosmic balance.