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Shloka 5

Rite of Tree Consecration and the Merit of Planting Sacred Trees

वृक्षान्माल्यैरलंकृत्य वासोभिरभिवेष्टयेत् । सूच्या सौवर्णया कार्यं सर्वेषां कर्णवेधनं

vṛkṣānmālyairalaṃkṛtya vāsobhirabhiveṣṭayet | sūcyā sauvarṇayā kāryaṃ sarveṣāṃ karṇavedhanaṃ

వృక్షాలను మాలలతో అలంకరించి, వస్త్రాలతో చుట్టాలి. ఆపై సువర్ణ సూచి ద్వారా అందరి కర్ణవేధనం చేయించాలి.

वृक्षान्trees
वृक्षान्:
Karma (Object/कर्म)
TypeNoun
Rootवृक्ष (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), बहुवचन
माल्यैःwith garlands
माल्यैः:
Karana (Instrument/करण)
TypeNoun
Rootमाल्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन
अलंकृत्यhaving decorated
अलंकृत्य:
Purvakala (Prior action/पूर्वकाल)
TypeVerb
Rootअलम्-कृ (धातु) + ल्यप् (कृत्-प्रत्यय)
Formअव्ययकृदन्त (क्त्वान्त/ल्यप्), पूर्वकालिक-क्रिया (absolutive/gerund)
वासोभिःwith cloths
वासोभिः:
Karana (Instrument/करण)
TypeNoun
Rootवासस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन
अभिवेष्टयेत्should wrap around
अभिवेष्टयेत्:
Kriya (Action/क्रिया)
TypeVerb
Rootअभि-वेṣ्ट् (धातु)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष (3rd), एकवचन
सूच्याwith a needle
सूच्या:
Karana (Instrument/करण)
TypeNoun
Rootसूची (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/Instrumental), एकवचन
सौवर्णयाgolden
सौवर्णया:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootसौवर्ण (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; विशेषणम् (सूच्या इति)
कार्यम्is to be done
कार्यम्:
Kriya (Obligation/क्रिया)
TypeVerb
Rootकृ (धातु) + यत् (कृत्-प्रत्यय)
Formकृदन्त (यत्/अनीयर्-अर्थे), नपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन; विधेय/कर्तव्यता (to be done)
सर्वेषाम्of all (of them)
सर्वेषाम्:
Sambandha (Genitive/सम्बन्ध)
TypeNoun
Rootसर्व (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, षष्ठी (6th/Genitive), बहुवचन
कर्णवेधनम्piercing of the ears
कर्णवेधनम्:
Karma (Object/कर्म)
TypeNoun
Rootकर्ण + वेधन (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन; षष्ठी-तत्पुरुषः (कर्णस्य वेधनम्)

Not specified in the provided excerpt (context needed from surrounding verses).

Concept: The living world can be ritually honored; sacred acts extend beyond humans to the vegetal realm, integrating beauty (alaṅkāra) with dharma.

Application: Cultivate reverence for nature: decorate and protect trees during community events; avoid harm; treat the environment as worthy of ritual care.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: forest

Visual Art Cues: {"scene_description":"A grove is transformed into a festival-like sanctuary: trees wear bright cloth wraps around their trunks and branches, and garlands cascade like necklaces. In the foreground, a ceremonial ear-piercing is performed with a gleaming golden needle, while elders chant blessings and children watch wide-eyed.","primary_figures":["patron family","ritual officiant","children/participants","adorned trees (as sacred recipients)"],"setting":"Garden-grove (udyāna) with cloth-wrapped trunks, hanging garlands, ritual platform with lamps and offering trays.","lighting_mood":"golden dawn","color_palette":["marigold orange","peacock blue","leaf green","crimson","gold"],"tanjore_prompt":"Tanjore painting style: richly adorned grove with gold-leaf accents on garlands and ornaments; trees wrapped in silk cloth, hanging floral strings; central ear-piercing rite with a bright gold needle, figures in traditional attire with gem-like jewelry, ornate border with lotus and creeper motifs, deep reds and greens.","pahari_prompt":"Pahari miniature style: lyrical garden scene with delicate garlands draped over slender trees; intimate family ritual of ear-piercing, refined faces and soft textiles; cool greens and blues with warm floral accents, detailed foliage, gentle morning light.","kerala_mural_prompt":"Kerala mural style: stylized trees with patterned cloth wraps, bold outlines; central ritual act emphasized with iconic gestures; red-yellow-green palette with strong gold/yellow highlights, temple-wall symmetry and decorative borders.","pichwai_prompt":"Pichwai cloth painting style: celebratory grove with dense floral borders, repeated garland motifs, lamps and lotuses; deep indigo background with gold highlights; peacocks and cows at margins, central ritual scene framed like a devotional tableau."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["hand drums (soft)","women’s ululation (distant)","temple bells","birds in grove"]}

Sandhi Resolution Notes: वृक्षान्माल्यैः → वृक्षान् माल्यैः; माल्यैरलंकृत्य → माल्यैः अलंकृत्य; वासोभिरभिवेष्टयेत् → वासोभिः अभिवेष्टयेत्; अन्यत्र पदच्छेदः यथोचितः।

FAQs

It describes ritual preparations (decorating and wrapping trees) and the performance of karṇavedhana—ear-piercing—using a golden needle.

Gold is traditionally associated with purity and auspiciousness in ritual contexts; the verse prescribes a “sauvarṇā sūcī” (golden needle) as the proper instrument for the rite.

The verse reflects the Purāṇic emphasis on performing saṃskāras with auspicious materials and careful ritual decorum, treating life-cycle rites as sacred, community-affirming duties.