Shloka 22
The Meeting with Agastya
Rāma Praised by the Gods; Phalaśruti; Ideal Reign; Prelude to Agastya’s Arrival
यस्मिञ्छासति लोकानां नाकालमरणं नृणाम् । न रोगादि पराभूतिर्गृहेषु च महीयसी
yasmiñchāsati lokānāṃ nākālamaraṇaṃ nṛṇām | na rogādi parābhūtirgṛheṣu ca mahīyasī
ఆయన ప్రజలను శాసించుచుండగా మనుష్యులకు అకాలమరణము ఉండదు; రోగాదులచేత పరాభవము కలుగదు, గృహములందు మహాసమృద్ధి నిలిచియుండును।
Unspecified (narrative voice not provided in the input excerpt)
Concept: When governance is aligned with dharma and devotion, society experiences protection from untimely death, disease, and household decline.
Application: Cultivate ‘rājadharma’ at the personal level: protect life, reduce harm, support health, and make the home a place of sattva through daily nāma-smaraṇa and ethical speech.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A dharmic king, haloed with Vaiṣṇava radiance, sits in a lotus-carved sabhā while citizens approach with offerings of grain and medicinal herbs. In the background, physicians and elders bless children, and homes glow with lamp-lit prosperity—no shadow of illness or fear in the streets.","primary_figures":["Raghunātha (as ideal ruler)","citizens (householders, elders, children)","court sages"],"setting":"royal court opening into a prosperous city with visible homes, granaries, and a temple spire bearing a dhvaja","lighting_mood":"golden dawn","color_palette":["saffron gold","lotus pink","emerald green","ivory white","sapphire blue"],"tanjore_prompt":"Tanjore painting style: Raghunātha enthroned on a lotus-backed siṃhāsana, gold leaf halo and arch, gem-studded crown and ornaments, citizens offering sheaves of grain and garlands, temple lamp-lit ambience, rich reds and greens, intricate floral borders, auspicious symbols (śaṅkha-cakra) subtly embossed.","pahari_prompt":"Pahari miniature style: a serene rāma-rājya court scene with delicate brushwork, refined faces, soft pastel architecture, citizens in flowing garments, distant orchards and fields, cool sky gradients, lyrical naturalism and gentle mountain-like horizon lines.","kerala_mural_prompt":"Kerala mural style: bold black outlines, flat yet vibrant natural pigments, Raghunātha with large expressive eyes and ornate jewelry, attendants and sages in rhythmic composition, temple wall aesthetic with red/yellow/green dominance and stylized lotus motifs.","pichwai_prompt":"Pichwai cloth painting style: a Vaiṣṇava prosperity tableau with lotus borders, deep blue background, golden grain motifs, peacocks and cows near a temple courtyard, central Raghunātha iconography with śaṅkha-cakra emblems, intricate floral filigree and gold highlights."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["temple bells","soft conch shell","distant city ambience","gentle silence between pādas"]}
Sandhi Resolution Notes: यस्मिञ्छासति = यस्मिन् + शासति; नाकालमरणं = न + अकालमरणम्; पराभूतिर्गृहेषु = पराभूतिः + गृहेषु.
FAQs
It presents the hallmark of righteous governance: under a just ruler, society is protected from premature death, widespread disease-related suffering, and households enjoy prosperity.
It frames good rule as active protection of life and welfare—preventing social calamities like untimely death and disease, and ensuring stability and prosperity for households.
No. It uses traditional ideal-king language to indicate that avoidable, premature harms (like preventable calamities and rampant illness) are minimized through dharmic administration and social order.