Shloka 47
Narration of the Greatness of Harivāsara
Ekādaśī, the Day Sacred to Hari
सा सदा कलहं कुर्यात्पत्या सह तपोधन । शश्वद्गुरुजनान्कामं भर्त्सनान्नीचभाषया
sā sadā kalahaṃ kuryātpatyā saha tapodhana | śaśvadgurujanānkāmaṃ bhartsanānnīcabhāṣayā
హే తపోధనా, ఆమె ఎల్లప్పుడూ భర్తతో కలహించుచుండెను; నీచమైన మాటలతో ఇష్టమొచ్చినట్లు గురుజనులను, గౌరవనీయులను పదేపదే దూషించుచుండెను.
Unspecified narrator/speaker (context not provided in input)
Concept: Abusive speech and contempt toward elders are Kali-yuga vices that destroy household dharma and invite suffering.
Application: Practice 'speech vrata' daily: pause before replying in anger, avoid public shaming, and make amends quickly; institute respectful routines—greeting elders, offering first portion of food, and keeping devotional atmosphere at home.
Primary Rasa: bibhatsa
Secondary Rasa: karuna
Type: city
Visual Art Cues: {"scene_description":"Hemaprabhā stands in a richly furnished hall, her face tense, one hand raised in sharp gesture as harsh words seem to materialize as jagged black calligraphy in the air. Elders sit nearby, visibly pained, while Vallabha stands between them, shoulders heavy, the household shrine lamp flickering as if disturbed by the quarrel’s wind.","primary_figures":["Hemaprabhā","Vallabha","elders/guru-like figures"],"setting":"Domestic hall with seating for elders, a side alcove shrine, and scattered household items suggesting unrest.","lighting_mood":"temple lamp-lit","color_palette":["lamp-gold","maroon","charcoal black","pale jasmine","deep teal"],"tanjore_prompt":"Tanjore painting style: dramatic domestic scene with embossed gold on ornaments and pillars; Hemaprabhā mid-gesture, jagged dark speech-forms curling outward; elders with sorrowful expressions; Vallabha in restrained posture; flickering shrine lamp rendered with bright gold highlights against deep maroon background.","pahari_prompt":"Pahari miniature style: intimate interior with delicate emotional expressions; harsh speech shown as thin ink-like strokes; elders seated with dignified sorrow; muted palette with selective bright accents on jewelry; refined architectural framing and patterned textiles.","kerala_mural_prompt":"Kerala mural style: bold outlines emphasize gesture and expression; speech visualized as stylized black serpentine ribbons; elders in calm but wounded composure; warm reds/yellows with green accents; shrine lamp motif central to convey dharma’s fragility.","pichwai_prompt":"Pichwai cloth painting style: ornamental domestic tableau with floral borders disrupted by thorn-like dark motifs representing quarrel; central figures arranged symmetrically; deep blue field with gold and maroon highlights; intricate patterns juxtaposed with the 'noise' of Kali in the design."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["sharp hand cymbal accent","sudden silence after a line","distant bell","tense room ambience"]}
Sandhi Resolution Notes: कुर्यात्पत्या → कुर्यात् + पत्या; शश्वद्गुरुजनान् → शश्वत् + गुरुजनान्; भर्त्सनान्नीचभाषया → भर्त्सनात् + नीचभाषया (त् + न् → न्न्)
FAQs
It criticizes habitual quarrelling with one’s spouse and the repeated insulting of elders or respected people, especially through vulgar or degrading speech.
Self-restraint in speech and respectful conduct toward one’s spouse and elders are presented as essential virtues; harsh, contemptuous speech is treated as a serious moral fault.
“Tapodhana” means “wealth of austerity,” a respectful address to an ascetic or spiritually accomplished listener, indicating the instruction is being delivered within a didactic, ethical discourse.