Shloka 20
Vows of Hari and the Hundred Names of Suputra (Viṣṇu/Kṛṣṇa): Ritual Metadata and Fruits of Japa
सर्वसौख्यं महासौख्यं मोक्षं च परमेश्वरम् । योगरूपं महाज्ञानं योगिनां गतिदं प्रियम्
sarvasaukhyaṃ mahāsaukhyaṃ mokṣaṃ ca parameśvaram | yogarūpaṃ mahājñānaṃ yogināṃ gatidaṃ priyam
ఆయనే సమస్త సుఖమూ, పరమ సుఖమూ; ఆయనే మోక్షమూ పరమేశ్వరుడూ. ఆయన యోగస్వరూప మహాజ్ఞానం, యోగులకు పరమగతిని ప్రసాదించే ప్రియుడు.
Unspecified (context-dependent within Bhūmi-khaṇḍa 87)
Concept: Bhagavān is simultaneously bliss, liberation, and the Supreme Lord—realized as yoga and great knowledge, and as the final gati of yogins.
Application: Treat spiritual practice as God-centered: let meditation, study, and discipline aim at remembering the Lord as the very substance of happiness; measure progress by steadiness and reduction of craving.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A vast inner-cosmos tableau: Viṣṇu as a luminous yogic axis seated upon a lotus of consciousness, with subtle mandalas radiating from his navel and heart. Around him, translucent yogins in meditation dissolve into light, their paths converging into the Lord as the single destination.","primary_figures":["Vishnu (as Parameśvara)","meditating yogins","personified Jñāna (as a radiant attendant)"],"setting":"An abstract ‘cave of the heart’ opening into a cosmic lotus-space, with faint stars and mantra-geometry.","lighting_mood":"divine radiance","color_palette":["sapphire blue","moon-white","lotus pink","antique gold","smoky violet"],"tanjore_prompt":"Tanjore painting style: Vishnu as Parameśvara seated on a grand lotus-throne within a stylized heart-cave mandala, haloed with concentric gold-leaf aureoles; gem-studded crown and ornaments, rich crimson and emerald textiles, tiny meditating yogins at the border panels, heavy gold embossing for lotus petals and chakra motifs.","pahari_prompt":"Pahari miniature style: a serene Vishnu in deep blue seated on a pale lotus within a softly rendered inner-cave landscape, delicate linework and refined facial features; misty gradients suggesting the ‘yoga-rūpa’ subtle body, small yogins on rocky ledges meditating, cool blues and mauves with restrained gold highlights.","kerala_mural_prompt":"Kerala mural style: Vishnu with bold black outlines and large expressive eyes, seated on a lotus emerging from a stylized heart-cave; natural pigment palette with dominant blues, reds, and yellows; surrounding circular mandalas and attendant figures representing jñāna and yoga, temple-wall symmetry and ornamental borders.","pichwai_prompt":"Pichwai cloth painting style: Krishna-Vishnu as the center of a lotus mandala, surrounded by concentric rings of lotus motifs and mantra-like floral borders; deep indigo ground with gold detailing, small yogins as repeating decorative elements, peacocks and stylized lotuses framing the ‘supreme happiness’ theme."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft tanpura drone","temple bells (distant)","silence between phrases","conch shell (very soft, opening)"]}
Sandhi Resolution Notes: पदानि प्रायः समासरूपाणि; विशेष-सन्धि-विच्छेदः न आवश्यकः।
FAQs
Parameśvara (the Supreme Lord) is praised as all happiness, the highest bliss, and mokṣa (liberation) itself.
It describes the Supreme as “yogarūpa” (of the nature of Yoga) and “mahājñāna” (great/supreme knowledge), presenting Yoga and true knowledge as expressions of the Divine.
“Gatidam” means “giver of the goal/destination,” indicating that the Supreme grants yogins their ultimate spiritual end—culminating in liberation.