Shloka 81
The Sin of Breaking Households: Citrā’s Past Karma and the Remedy of Hari’s Name and Meditation
एवं सर्वमयं ध्यानं पश्यते यो महात्मनः । स याति परमं स्थानममूर्तममृतोपमम्
evaṃ sarvamayaṃ dhyānaṃ paśyate yo mahātmanaḥ | sa yāti paramaṃ sthānamamūrtamamṛtopamam
హే మహాత్మా! ఈ ధ్యానాన్ని సర్వవ్యాపకముగా దర్శించువాడు పరమధామాన్ని పొందును—అది అమూర్తమై అమృతసమానమై యుండును।
Unspecified (context-dependent within Bhūmi-khaṇḍa Adhyaya 86 dialogue)
Concept: All-pervading contemplation of the Mahātman leads to the supreme, deathless state beyond limiting form.
Application: Daily sit in quiet, expand awareness from self to all beings, and anchor that vastness in remembrance of Vāsudeva; let actions arise from that non-separative vision.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A solitary sage sits in lotus posture on a silent riverbank, eyes half-closed, while the cosmos appears as a translucent mandala expanding from his heart—stars, worlds, and beings all suffused by a single sapphire radiance. Above, the ‘supreme abode’ is suggested not as a place but as a boundless, luminous field where form dissolves into nectar-like light.","primary_figures":["Meditating sage (mahātmā)","Vāsudeva as all-pervading radiance (aniconic/halo form)"],"setting":"Twilight riverbank with a distant temple silhouette; the sky opens into a cosmic dome with subtle lotus geometry.","lighting_mood":"divine radiance","color_palette":["sapphire blue","moonstone white","lotus pink","soft gold","deep indigo"],"tanjore_prompt":"Tanjore painting style: a seated sage in padmāsana before a stylized lotus-throne aura; behind him a circular cosmic mandala with gold leaf rays, embossed halos, and gem-like highlights; Vāsudeva indicated as an aniconic blue-gold radiance filling the frame, rich reds and greens in the border, traditional South Indian ornamented motifs.","pahari_prompt":"Pahari miniature style: delicate sage on a quiet river terrace, cool indigo sky with fine star dots; a translucent lotus-mandala expands outward, subtle gradients suggesting formless immortality; refined facial features, lyrical naturalism, distant hills and a small shrine, restrained gold accents.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments; the sage centered with a large circular aura-mandala behind, concentric lotus petals and cosmic symbols; dominant reds/yellows/greens with a deep blue field indicating the all-pervading Vāsudeva, temple-wall aesthetic and characteristic elongated eyes.","pichwai_prompt":"Pichwai cloth painting style: a vast lotus pond motif turning into a cosmic lotus; central meditating devotee with a blue-gold aura suggesting Vāsudeva; intricate floral borders, peacocks at the edges, deep blues and gold, subtle conch-discus motifs hidden in the patterning."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["silence","soft temple bells","distant conch shell","flowing water"]}
Sandhi Resolution Notes: सर्वमयं = सर्व-मयम्; महात्मनः = महा-आत्मनः; स्थानममूर्तममृतोपमम् = स्थानम् + अमूर्तम् + अमृत-उपमम् (संधि)
FAQs
It indicates a contemplative vision in which the object of meditation is recognized as present in all beings and all states—an undivided, pervasive reality rather than a limited, localized form.
It is the highest spiritual attainment—described as amūrta (formless) and amṛtopama (like immortality)—signifying liberation beyond decay, limitation, and embodied identity.
It emphasizes steadiness of contemplation: cultivating an all-inclusive, non-fragmented awareness and aligning one’s life toward that vision, since such realization is presented as the direct cause of the highest goal.