Shloka 63
The Bestowal of Boons upon Aṅga
हर्षेण महताविष्टस्तमुवाच जनार्दनम् । दासोहं तव देवेश शंखचक्रगदाधर
harṣeṇa mahatāviṣṭastamuvāca janārdanam | dāsohaṃ tava deveśa śaṃkhacakragadādhara
మహా హర్షంతో మునిగిపోయి అతడు జనార్దనునితో పలికెను— “హే దేవేశా! శంఖచక్రగదాధర ప్రభూ, నేను నీ దాసుడను.”
An unnamed devotee/supplicant addressing Janārdana (Viṣṇu)
Concept: Dāsya-bhāva: the devotee’s identity culminates in joyful servanthood to Janārdana, the weapon-bearing protector.
Application: Adopt ‘service-first’ devotion: offer daily actions (work, care, speech) as seva; let joy arise from belonging to the divine rather than controlling outcomes.
Primary Rasa: shringara
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"The devotee, eyes brimming with bliss, declares ‘I am Your servant’ before Janārdana, who stands radiant with conch, discus, and mace. The scene is intimate despite the divine grandeur—joyful surrender softens the cosmos into a personal embrace.","primary_figures":["Janārdana (Viṣṇu)","Unnamed devotee/supplicant"],"setting":"A sacred grove or temple-like clearing with lotus motifs, a gentle breeze moving cloth and garlands; subtle celestial attendants in the background.","lighting_mood":"temple lamp-lit","color_palette":["royal blue","antique gold","coral pink","jade green","lamp-flame amber"],"tanjore_prompt":"Tanjore painting style: Janārdana with śaṅkha-cakra-gadā, towering crown and gold leaf halo; devotee in ecstatic añjali, slightly leaning forward in dāsya; heavy gold leaf on ornaments and weapons, rich red-green textiles, gem-studded detailing, ornate prabhāvali arch, devotional intimacy within grandeur.","pahari_prompt":"Pahari miniature style: tender devotional exchange in a forest clearing; Viṣṇu’s weapons delicately painted, the devotee’s joyful face refined; soft amber light like evening lamps; cool greens and blues with warm highlights, lyrical naturalism and gentle emotion.","kerala_mural_prompt":"Kerala mural style: frontal Janārdana with bold outlines and stylized weapons; devotee at lower right in añjali with visible joy; flat natural pigments, temple-wall symmetry, dominant reds/yellows/greens with deep blue skin tone and amber accents.","pichwai_prompt":"Pichwai cloth painting style: Janārdana centered amid lotus vines and ornate floral borders; conch-disc-mace emphasized as decorative sacred emblems; devotee below in dāsya posture; deep blue background with gold and pink lotuses, intricate Nathdwara-like border detailing (adapted to Viṣṇu iconography)."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"emotional","sound_elements":["temple bells","soft mridangam pulse","conch shell (single call)","garland rustle","hushed congregation"]}
Sandhi Resolution Notes: महताविष्टः = महता आविष्टः (आ + आ → आ). तमुवाच = तम् उवाच (म् + उ → म् उ). दासोहं = दासः अहम् (विसर्ग-लोप, ओऽ).
FAQs
It expresses dāsya-bhāva—devotion in the mood of servitude—where the devotee identifies as the Lord’s servant (dāso ’ham tava).
These are Viṣṇu’s iconic emblems (śaṅkha, cakra, gadā), used in Purāṇic literature to unmistakably identify Him and evoke His protective, sovereign nature.
It models humility and surrender: the devotee places ego aside and adopts a life of service, aligning actions and identity with devotion rather than self-importance.