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Shloka 31

Dharma as the Cause of Prosperity and the Signs of a Righteous Death

गीतं गायंति गंधर्वाः स्तुवंतिस्तावकाः स्तवैः । मंत्रपाठैस्तथा विप्रा माता स्नेहेन पूजयेत्

gītaṃ gāyaṃti gaṃdharvāḥ stuvaṃtistāvakāḥ stavaiḥ | maṃtrapāṭhaistathā viprā mātā snehena pūjayet

గంధర్వులు గీతాలు పాడుతారు, భక్తులు స్తోత్రాలతో స్తుతిస్తారు, బ్రాహ్మణులు మంత్రపాఠం చేస్తారు; ఈ విధంగా తల్లిని స్నేహంతో పూజించాలి।

gītamsong
gītam:
Karma (Object/कर्म)
TypeNoun
Rootgīta (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
gāyantising
gāyanti:
Kriya (Action/क्रिया)
TypeVerb
Rootgai (धातु)
Formलट्-लकार (Present), परस्मैपद, प्रथमपुरुष (3rd person), बहुवचन
gandharvāḥGandharvas
gandharvāḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootgandharva (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन
stuvantipraise
stuvanti:
Kriya (Action/क्रिया)
TypeVerb
Rootstu (धातु)
Formलट्-लकार (Present), परस्मैपद, प्रथमपुरुष (3rd person), बहुवचन
tāvakāḥyour people/attendants
tāvakāḥ:
Karta (Subject/कर्ता)
TypeNoun
Roottāvaka (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; सर्वनाम-प्रकृति (pronominal adjective used substantively)
stavaiḥwith hymns
stavaiḥ:
Karana (Instrument/करण)
TypeNoun
Rootstava (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन
mantra-pāṭhaiḥwith recitations of mantras
mantra-pāṭhaiḥ:
Karana (Instrument/करण)
TypeNoun
Rootmantra (प्रातिपदिक) + pāṭha (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन; समासः—तत्पुरुषः: मन्त्राणां पाठाः
tathālikewise
tathā:
Sambandha (Link/सम्बन्ध)
TypeIndeclinable
Roottathā (अव्यय)
Formअव्यय; समुच्चय/प्रकारवाचक (also/likewise)
viprāḥBrahmins
viprāḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootvipra (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन
mātāmother
mātā:
Karta (Subject/कर्ता)
TypeNoun
Rootmātṛ (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन
snehenawith affection
snehena:
Karana (Instrument/करण)
TypeNoun
Rootsneha (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/Instrumental), एकवचन
pūjayetwould/should honor
pūjayet:
Kriya (Action/क्रिया)
TypeVerb
Rootpūj (धातु)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष (3rd person), एकवचन

Unspecified (context-dependent within Bhūmi-khaṇḍa narrative)

Concept: Mother is to be honored with affectionate reverence, accompanied by sacred sound—song, hymn, and mantra—integrating emotion and ritual.

Application: Regularly serve and honor one’s mother/parents; incorporate prayer, chanting, and gratitude rituals at home; speak gently and offer tangible care.

Primary Rasa: shringara

Secondary Rasa: shanta

Type: temple

Visual Art Cues: {"scene_description":"A mother sits on a decorated seat in a courtyard-altar space, while brāhmaṇas recite mantras beside a small sacred fire and devotees sing stotras. Above, gandharvas in the sky play vīṇā and sing, their music descending like garlands; the scene centers on affectionate honor rather than grandeur.","primary_figures":["mother (mātā)","brāhmaṇas reciting mantras","devotees singing stotras","gandharvas with vīṇā and drums"],"setting":"Domestic courtyard or temple mandapa with a small yajña-kuṇḍa, flower garlands, lamps, and seating for elders; sky-space for gandharvas.","lighting_mood":"temple lamp-lit with soft celestial glow overhead","color_palette":["marigold orange","vermillion red","turquoise","cream white","antique gold"],"tanjore_prompt":"Tanjore painting style: mother honored in a mandapa with gold leaf embellishment; brāhmaṇas chanting near a small fire, devotees singing with cymbals, gandharvas above with vīṇā; rich reds/greens, ornate jewelry, gem-studded borders, halos and lamp flames rendered with luminous gold.","pahari_prompt":"Pahari miniature style: intimate courtyard ceremony with delicate brushwork; mother seated with gentle expression, priests chanting, singers in a semicircle; gandharvas lightly painted in the sky, cool pastel architecture, refined textiles and floral detail.","kerala_mural_prompt":"Kerala mural style: bold outlined ritual scene—mother central, priests with palm-leaf texts, singers with cymbals; gandharvas overhead; natural pigments with dominant reds/yellows/greens, stylized flames and floral garlands.","pichwai_prompt":"Pichwai cloth painting style: ceremonial honoring of mother framed by intricate floral borders and lotus motifs; symmetrical arrangement of singers and priests, deep blue background with gold highlights, gandharvas as decorative celestial band, peacocks at corners, abundant garlands and patterned canopy."}

Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["vīṇā melody","group stotra singing","Vedic mantra cadence","temple bells","soft hand cymbals"]}

Sandhi Resolution Notes: stuvaṃtistāvakāḥ = stuvanti tāvakāḥ; maṃtrapāṭhaistathā = mantra-pāṭhaiḥ tathā.

G
Gandharvas
V
Vipras (Brāhmaṇas)

FAQs

It prescribes honoring (pūjā) of the mother with genuine affection, accompanied by devotional praise and mantra-recitation.

They represent complementary modes of sacred honoring: musical celebration (Gandharvas), verbal praise through hymns (stavas), and ritual-vedic sanctification through mantras (vipras).

That reverence toward the mother is a core dharmic duty, best expressed not only through formal rites but through sincere, affectionate conduct.