Kāruṇya-stotra Phalaśruti; Dream-Darśana of Vāsudeva; Manifestation and Pratiṣṭhā of Jagannātha, Balabhadra (Ananta), and Subhadrā
सर्वलक्षणसंपन्नाः प्रतिमाः सुमनोहराः । विस्मयं परमं गत्वा इदं वचनमब्रवीत् ॥ ६९ ॥
sarvalakṣaṇasaṃpannāḥ pratimāḥ sumanoharāḥ | vismayaṃ paramaṃ gatvā idaṃ vacanamabravīt || 69 ||
సర్వ శుభలక్షణసంపన్నమై అత్యంత మనోహరమైన ఆ ప్రతిమలను చూచి, అతడు పరమ విస్మయమునకు లోనై ఈ వచనమును పలికెను।
Narrator (Purāṇic narrator describing the scene; the next speech begins after this verse)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: none
It highlights the transformative moment of darśana: seeing pratimās that are “complete in auspicious marks” produces profound awe, preparing the mind for reverent instruction and sacred dialogue.
Bhakti often begins with attraction and wonder toward the divine form; the verse shows how beauty and auspicious icon-features naturally draw the heart into receptivity, leading to devotional speech and inquiry.
Indirectly, it points to śilpa/āgamic iconographic standards (lakṣaṇa of pratimā). While not a Vedāṅga proper, it aligns with technical tradition about correct divine-form characteristics used in worship and temple practice.