Adhyaya 8 — Harishchandra’s Trial: Truth, the Sale of Family, and Bondage to a Chandala
राजन् जातमपत्यं मे इत्युक्त्वा प्ररुरोद ह ।
बाष्पाम्बुप्लुतनेत्रान्तामुवाचेदं महीपतिः ॥
rājan jātam apatyaṃ me ity uktvā praruroda ha |
bāṣpāmbu-pluta-netrāntām uvāca idaṃ mahīpatiḥ ||
“ఓ రాజా, నాకు ఒక కుమారుడు జన్మించాడు” అని చెప్పి ఆమె కన్నీళ్లు పెట్టుకుంది. అప్పుడు కన్నీళ్లతో నిండిపోయి పొంగిపొర్లుతున్న కన్నులున్న ఆమెతో రాజు ఈ మాటలు పలికాడు।
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The verse foregrounds the immediacy of human attachment (to offspring and outcomes) and the way intense emotion can frame subsequent ethical choices. Purāṇic narratives often use such scenes to show how dharma must be upheld even when the mind is shaken by sorrow or fear.
This is best classified under Vaṃśānucarita (accounts of royal/person line narratives) in a broad sense, since it is episodic storytelling about a king and household circumstance rather than cosmological sarga/pratisarga or manvantara chronology.
Tears (bāṣpa) and the ‘flooded eyes’ motif can function symbolically as avidyā-born moha (delusion/attachment) obscuring clear vision. The king’s ensuing speech suggests the re-entry of discriminative order (rāja-dharma/buddhi) into a scene dominated by emotional overflow.