Īśvara-Gītā (continued): Twofold Yoga, Aṣṭāṅga Discipline, Pāśupata Meditation, and the Unity of Nārāyaṇa–Maheśvara
हृत्पुण्डरीके नाभ्यां वा मूर्ध्नि पर्वतमस्तके / एवमादिषु देशेषु धारणा चित्तबन्धनम्
hṛtpuṇḍarīke nābhyāṃ vā mūrdhni parvatamastake / evamādiṣu deśeṣu dhāraṇā cittabandhanam
హృదయపద్మంలో గాని, నాభిలో గాని, శిరోమణి శిఖరంలో గాని, లేదా పర్వతశిఖరంపై గాని మనస్సును నిలిపి—అటువంటి స్థలాలలో చిత్తాన్ని బంధించి స్థిరపరచుటే ధారణ.
Lord Kūrma (Vishnu) instructing King Indradyumna (Ishvara Gita context)
Primary Rasa: shanta
Secondary Rasa: adbhuta
By defining dhāraṇā as the steady binding of citta, the verse implies that realization requires a stabilized inner instrument; when the mind is made one-pointed, the Self/Īśvara can be directly contemplated without distraction.
It teaches dhāraṇā (one-pointed concentration) by selecting a locus such as the heart-lotus, navel, crown, or a sacred elevated place (mountain peak) and repeatedly fastening attention there—an Ishvara Gita-style instruction aligned with Pāśupata-inflected yoga discipline.
Though not naming either deity here, the Ishvara Gita setting presents Kūrma-Vishnu teaching a yoga method widely shared across Shaiva and Vaishnava traditions, reflecting the Purana’s non-sectarian synthesis in practical sādhanā.