Virocana–Bali, Aditi’s Tapas, and the Vāmana–Trivikrama Episode
चतुर्भुजं विशालाक्षं श्रीवत्साङ्कितवक्षसम् / नीलमेघप्रतीकाशं भ्राजमानं श्रियावृतम्
caturbhujaṃ viśālākṣaṃ śrīvatsāṅkitavakṣasam / nīlameghapratīkāśaṃ bhrājamānaṃ śriyāvṛtam
ఆయనను ధ్యానించు—చతుర్భుజుడు, విశాలాక్షుడు, వక్షస్థలంపై శ్రీవత్సచిహ్నధారి; నీలమేఘసమాన కాంతితో ప్రకాశించే వాడు, శ్రీ (లక్ష్మీ)తో ఆవరితుడు।
Narrator/Sage describing the dhyāna of Bhagavān (Vishnu/Kūrma as the Supreme Lord)
Primary Rasa: adbhuta
Secondary Rasa: shringara
By prescribing meditation on the Lord’s auspicious form, the verse teaches that the Supreme (Ātman/Iśvara) can be approached as saguna—manifest with divine attributes—so the mind becomes steady and fit for realization.
It highlights dhyāna-yoga through detailed visualization (rūpa-dhyāna): fixing awareness on the Lord’s form—four arms, Śrīvatsa on the chest, cloud-dark radiance, and Śrī (Lakṣmī)—a classic method aligned with Purāṇic bhakti and yogic concentration.
Though Vishnu’s form is described, the Kurma Purana’s broader teaching frames such dhyāna as worship of the one Supreme Iśvara approached through different names and forms—supporting a non-sectarian Shaiva-Vaishnava synthesis.