Nāṭaka-nirūpaṇam
Exposition of Drama / Dramatic Genres and Plot-Structure
सामान्यं सर्वविषयं शेषः क्वापि प्रवर्तते पूर्वरङ्गे निवृत्ते द्वौ देशकालावुभावपि
sāmānyaṃ sarvaviṣayaṃ śeṣaḥ kvāpi pravartate pūrvaraṅge nivṛtte dvau deśakālāvubhāvapi
‘సామాన్యము’ అన్ని విషయాలకు వర్తిస్తుంది; ‘శేషము’ అవసరమైన చోట వినియోగించబడుతుంది. పూర్వరంగం ముగిసిన తరువాత దేశము, కాలము—ఇవిరెండింటినీ కూడా నిర్దేశించాలి.
Lord Agni (traditional Agni Purana narrator) instructing Sage Vasiṣṭha
Primary Rasa: shanta
Secondary Rasa: adbhuta
Sandhi Resolution Notes: क्वापि = क्व + अपि; देशकालावुभावपि = देशकालौ + उभौ + अपि.
It gives technical guidance from dramaturgy/poetics: apply general rules universally (sāmānya), supply residual rules where required (śeṣa), and after the pūrvaraṅga (preliminary performance-rite), explicitly state deśa (place) and kāla (time).
Beyond theology, the Agni Purana preserves concise, sūtra-like definitions used in śāstric disciplines such as nāṭya/kāvya theory and grammatical reasoning (general vs. residual application), showing its wide scope as a compendium of applied knowledge.
By insisting on proper sequence (pūrvaraṅga) and correct contextual specification (place/time), it supports disciplined, orderly performance of sacred-cultural acts; such correctness is traditionally linked with producing the intended merit (puṇya) and avoiding ritual/performative defects.