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Agni Purana — Raja-dharma, Shloka 61

Rājanīti (Statecraft): Ṣaḍvidha-bala, Vyūha-vidhāna, and Strategic Warfare

पक्षादीनामथैकेन हत्वा शेषैः परिक्षिपेत् उरसा वा समाहत्य कोटिभ्यां परिवेष्टयेत्

pakṣādīnāmathaikena hatvā śeṣaiḥ parikṣipet urasā vā samāhatya koṭibhyāṃ pariveṣṭayet

పక్షాది ఏకప్రహారంతో ప్రత్యర్థిని కూలదోసి, మిగిలిన అవయవాలు/పట్టులతో అతనిని చుట్టుముట్టవలెను. లేదా వక్షస్థల ప్రహారంతో నెట్టి, రెండు కటి-ప్రాంతాలతో అతనిని బిగిగా చుట్టివేయవలెను.

पक्ष-आदीनाम्of the wings etc. (parts)
पक्ष-आदीनाम्:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootpakṣa (प्रातिपदिक) + ādi (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th), बहुवचन; तत्पुरुष-समास (पक्षः आदिः येषाम्)
अथthen
अथ:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootatha (अव्यय)
Formअव्यय; अनन्तर/प्रकरण-आरम्भक (then/now)
एकेनwith one (part)
एकेन:
Karana (करण)
TypeAdjective
Rooteka (प्रातिपदिक)
Formपुं/नपुंसक, तृतीया (3rd), एकवचन; करण (instrumental)
हत्वाhaving struck
हत्वा:
Purvakala-kriya (पूर्वकाल-क्रिया)
TypeVerb
Roothan (धातु)
Formक्त्वान्त अव्यय (gerund); √हन् ‘to strike/kill’ = ‘having struck/killed’
शेषैःwith the remaining (ones)
शेषैः:
Karana (करण)
TypeNoun
Rootśeṣa (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), बहुवचन; करण (instrumental)
परि-क्षिपेत्should throw around/encircle
परि-क्षिपेत्:
Kriya (क्रिया)
TypeVerb
Rootpari + kṣip (धातु)
Formविधिलिङ् (optative), परस्मैपद; प्रथमपुरुष, एकवचन; ‘should throw around/encircle by casting’
उरसाwith the chest
उरसा:
Karana (करण)
TypeNoun
Rooturas (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd), एकवचन; करण
वाor
वा:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootvā (अव्यय)
Formअव्यय; विकल्पार्थक (or)
सम्-आहत्यhaving struck forcefully
सम्-आहत्य:
Purvakala-kriya (पूर्वकाल-क्रिया)
TypeVerb
Rootsam + ā + han (धातु)
Formल्यबन्त अव्यय (absolutive/gerund); ‘having struck together/with force’
कोटिभ्याम्with the two flanks/ends
कोटिभ्याम्:
Karana (करण)
TypeNoun
Rootkoṭi (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd), द्विवचन; करण
परि-वेष्टयेत्should surround
परि-वेष्टयेत्:
Kriya (क्रिया)
TypeVerb
Rootpari + veṣṭ (धातु)
Formविधिलिङ् (optative), परस्मैपद; प्रथमपुरुष, एकवचन; ‘should wrap/encircle’

Lord Agni (in instruction to sage Vasiṣṭha, Dhanurveda section)

Vidya Category: {"primary_vidya":"Dhanurveda","secondary_vidya":"Natya","practical_application":"Close-combat grappling: sequencing a decisive strike (with flank/side) followed by immediate encirclement and restraint using remaining holds; alternative entry using chest-drive then hip-wrap.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Malla-yuddha Sequence: Flank-Strike then Encirclement; Chest-Drive then Hip-Wrap","lookup_keywords":["paksha prahara","urasa samahati","parikshipet","koti pariveshtana","malla-yuddha technique"],"quick_summary":"After a primary impact (side/flank or chest), the fighter should instantly close space and bind the opponent with remaining limbs/holds, converting a hit into control."}

Concept: Kriyā-krama (sequencing): effectiveness comes from chaining actions—impact must be followed by control.

Application: Training methodology: practice combinations rather than isolated moves; prioritize clinch control after creating imbalance.

Khanda Section: Dhanurveda (Martial Science and Combat Techniques)

Primary Rasa: vira

Secondary Rasa: raudra

Visual Art Cues: {"scene_description":"Two wrestlers: one delivers a side/flank blow and immediately circles to bind; alternate vignette shows a chest-drive followed by a hip-wrap restraint.","kerala_mural_prompt":"Kerala mural style, dynamic wrestling poses with bold outlines; two-step sequence shown left-to-right; sweat and motion lines stylized; earthy palette; arena with drums in background.","tanjore_prompt":"Tanjore painting, central wrestlers with gold-highlighted ornaments and waistbands; two small inset panels showing the sequence; ornate frame; emphasis on heroic physique.","mysore_prompt":"Mysore painting, instructional sequential panels; clear depiction of body mechanics—flank strike, encircle, chest drive, hip wrap; minimal background for clarity.","mughal_miniature_prompt":"Mughal miniature, akhara courtyard with spectators; detailed textiles; sequential action captured with attendants; refined anatomy and expressive faces."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":null,"pace":"fast","voice_tone":"instructional"}

Sandhi Resolution Notes: पक्षादीनामथैकेन = पक्ष-आदीनाम् + अथ + एकेन.

Related Themes: Agni Purana Dhanurveda/Malla-yuddha passages around 241.61–241.66 on holds, presses, and counters

A
Agni Purana
D
Dhanurveda

FAQs

This verse teaches a Dhanurveda close-quarters sequence: disable with a single decisive strike (using the side/flank or similar body-angle), then immediately secure the opponent by encircling and restraining—optionally using a chest-drive followed by a hip/waist clinch.

It shows the Agni Purana functioning as a compendium beyond theology—preserving practical martial science (Dhanurveda), including unarmed tactics like strikes, body-checks, and grappling restraints alongside other domains such as ritual, polity, and arts.

In a dharmic frame, the instruction supports righteous protection (rakṣaṇa) and disciplined force: technique is to be used under restraint and right intent, aligning martial skill with duty rather than cruelty.