Jabali Bound on the Banyan Tree and Nandayanti’s Appeal at Sri-Kantha on the Yamuna
समभ्येत्याब्रबीदेनां कन्दर्पशरपीडितः त्वं मुग्धे मोहयसि मां दृष्ट्यैव मदिरेक्षणे
samabhyetyābrabīdenāṃ kandarpaśarapīḍitaḥ tvaṃ mugdhe mohayasi māṃ dṛṣṭyaiva madirekṣaṇe
கந்தர்ப்பன் அம்புகளால் துன்புற்றவன் அவளிடம் அணுகி கூறினான்— “ஓ மடமையே! ஓ மயக்கமூட்டும் கண்களையுடையவளே! உன் பார்வையாலேயே நீ என்னை மயக்குகிறாய்.”
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The ‘arrows of Kāma’ is a standard Purāṇic and kāvya trope for involuntary erotic agitation. It externalizes desire as an assaulting force, portraying the speaker as ‘pīḍita’ (wounded/tormented) rather than calmly choosing restraint.
It intensifies the claim: no speech or touch is needed—mere visual contact triggers delusion (moha). This aligns with classical Indian aesthetics where the eyes are a primary vehicle of erotic suggestion (śṛṅgāra).
Not directly. It is a narrative micro-scene focused on desire and persuasion; no rivers, forests, or pilgrimage sites are named in these lines.