Vāyu-jaya (Prāṇa-vijaya) and Yogic Mastery over Time — वायुजय (प्राणविजय) तथा कालजय
समुन्नतशरीरोऽपि स बद्ध्वा करसंपुटम् । चञ्च्वाकारेण वक्त्रेण पिबन्वायुं शनैश्शनैः
samunnataśarīro'pi sa baddhvā karasaṃpuṭam | cañcvākāreṇa vaktreṇa pibanvāyuṃ śanaiśśanaiḥ
உடலை நிமிர்ந்து நிலைநிறுத்தி, கைகளை சேர்த்து குவிந்த குழியாக்குகிறான். பின்னர் வாயை அலகுபோல் வடிவமைத்து, மெதுவாக மெதுவாக பிராணவாயுவை அருந்துகிறான்.
Suta Goswami
Tattva Level: pashu
Shiva Form: Āghoramūrti
It depicts disciplined prāṇa-control: the seeker steadies posture and consciously draws in the life-breath, symbolizing inward turning of the senses so the bound soul (paśu) becomes fit to receive Shiva’s liberating grace (Pati-anugraha).
In Shaiva practice, outer Linga-worship is supported by inner worship: breath regulation steadies the mind for dhyāna on Saguna Shiva and for recognizing Shiva’s presence within, making pūjā and japa more concentrated and sattvic.
A pranayama-like practice is implied—upright posture, controlled inhalation (slow, steady drawing of vāyu). It can be paired with Panchakshara japa (Om Namaḥ Śivāya) to align breath, mantra, and devotion.