The Description of the Four Durgā Mantras
गिरिकर्णीभवैः पुष्पैर्ब्राह्यणान्वशयेद्धुतैः । कह्लारैः पार्थिवान्पुष्पैस्तद्वधूः कर्णिकारजैः ॥ ८४ ॥
girikarṇībhavaiḥ puṣpairbrāhyaṇānvaśayeddhutaiḥ | kahlāraiḥ pārthivānpuṣpaistadvadhūḥ karṇikārajaiḥ || 84 ||
கிரிகர்ணீயில் பிறந்த மலர்களை அக்னியில் ஹோமமாக அர்ப்பணித்தால் பிராமணர்கள் மனம்வரும்; கஹ்லார முதலான நிலமலர்களால் அரசர்கள்; கர்ணிகார மலர்களால் அந்த விரும்பிய மணமகள் மனம்வரும்।
Sanatkumara (teaching Narada in an instructional sequence on ritual/technical applications)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
It emphasizes dravya-niyama—choosing the proper ritual substance (here, specific flowers) as a technical component of dharmic rites, showing that intention in worship is supported by precise ritual means.
While framed as a ritual prayoga, it implies that devotional acts (offerings) become more effective when performed with correct upacāra and discipline, aligning external worship with purposeful devotion.
It reflects kalpa-style ritual procedure (a Vedāṅga application): selection of materials for homa/offerings and the expected phala (result) tied to specific dravyas.