The Description of the Four Durgā Mantras
आकर्षणीं हृदि पुनः सर्वांतभृगुसंस्थिताम् । संमोहनीं क्रमादेवं बाणन्यासोऽयमीरितः ॥ ५४ ॥
ākarṣaṇīṃ hṛdi punaḥ sarvāṃtabhṛgusaṃsthitām | saṃmohanīṃ kramādevaṃ bāṇanyāso'yamīritaḥ || 54 ||
பின்னர் இதயத்தில் மீண்டும் ‘ஆகர்ஷணீ’யை ந்யாசம் செய்ய வேண்டும்; மேலும் எல்லா முடிவுகளிலும் நிலைபெற்ற ‘ஸம்மோஹனீ’யை ‘ப்ருகு’ ஸ்தானத்தில் முறையாக நிறுவ வேண்டும். இவ்விதமே பாண-ந்யாசம் போதிக்கப்பட்டது.
Narada (in instruction mode within a technical Vedanga/ritual-nyasa context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It codifies a precise inner-ritual (nyāsa) where specific mantra-śaktis are ‘installed’ in prescribed bodily loci, aiming to align the practitioner’s body-mind as a consecrated field for mantra-siddhi.
Though technical, nyāsa functions as devotional consecration: the devotee internalizes sacred powers in the heart and limbs, treating the body as a temple and supporting focused remembrance during worship.
It highlights applied ritual science—mantra-viniyoga and nyāsa-krama (procedural sequencing and placement terminology), a technical discipline associated with authoritative liturgical method rather than narrative theology.