The Classification and Explanation of Yakṣiṇī Mantras
Kālī and Tārā Vidyās
बिंदुनामादिवर्णाद्याः संबुद्ध्यंतास्तथाभिधाः । व्रजपुष्पं प्रतीच्छाग्निप्रियांताः प्रणवादिकाः ॥ ११९ ॥
biṃdunāmādivarṇādyāḥ saṃbuddhyaṃtāstathābhidhāḥ | vrajapuṣpaṃ pratīcchāgnipriyāṃtāḥ praṇavādikāḥ || 119 ||
‘பிந்து’ எனப்படும் எழுத்தும் ஆதிவர்ணங்களும் தொடங்கி, பெயரால் அழைக்கப்படுவது போலவே இம்மந்திரங்களை அறிய வேண்டும்; ‘வ்ரஜ’, ‘புஷ்ப’, ‘பிரதீச்ச’, ‘அக்னி’ மற்றும் ‘ப்ரியா’ என்று முடிவதான வடிவங்கள்—இவை அனைத்தும் பிரணவம் (ஓம்) முதலியவற்றால் தொடங்குகின்றன।
Sanatkumara (teaching Narada in a technical/Vedanga-oriented section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It emphasizes that mantras are recognized and applied through precise phonetic forms and traditional names—starting with Oṃ—showing that correct sound-structure is itself a sacred discipline in Vedic practice.
By foregrounding praṇava (Oṃ) and proper mantra-forms, it supports bhakti as disciplined worship: devotion is strengthened when japa and ritual invocations are performed with accurate śabda (sacred sound).
Śikṣā (phonetics) and mantra-vyavahāra: identifying mantras by their initial syllables/letters and conventional names, ensuring correct recitation and ritual usage.