The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
गोपालमंडलीमध्यः सर्वगोपालभूषणः । कृतहस्ततलग्रासो व्यंजनाश्रितशाखिकः ॥ ५७ ॥
gopālamaṃḍalīmadhyaḥ sarvagopālabhūṣaṇaḥ | kṛtahastatalagrāso vyaṃjanāśritaśākhikaḥ || 57 ||
அவர் கோபாலர் வட்டத்தின் நடுவில் நிற்பவர், எல்லா கோபாலர்களுக்கும் அணியாக விளங்குபவர்; கைய்தளத்தில் அன்னத்தை எடுத்துண்டு, பக்கவியஞ்ஞனங்களுடன் மரநிழலில் தங்குபவர்.
Narada (within the Narada–Sanatkumara dialogue context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It presents Gopāla’s simple, intimate līlā—moving among devotees, eating plainly, and resting under a tree—teaching that the Supreme is approachable and sweetness (mādhurya) is a valid focus for devotion and meditation.
Bhakti is shown as loving closeness: the Lord is “among” the gopālas, sharing ordinary acts like eating and resting, encouraging devotees to remember and serve him with familiarity, affection, and constant remembrance (smaraṇa).
Primarily dhyāna-prayoga (practical meditation application): the verse supplies concrete visualization cues (company, posture, eating, shade) used in mantra-japa and devotional contemplation rather than a technical rule of Vyākaraṇa or Jyotiṣa.