Narada Purana — Purva Bhaga, Shloka 160
Hanumān-mantra-kathana: Mantra-bheda, Nyāsa, Yantra, and Prayoga
फलांते फक्रियानेत्रयुक्ता च कामिका ततः । धग्गंते धगितेत्युक्त्वा आयुरास्व पदं ततः ॥ १६० ॥
phalāṃte phakriyānetrayuktā ca kāmikā tataḥ | dhaggaṃte dhagitetyuktvā āyurāsva padaṃ tataḥ || 160 ||
‘பல’ பகுதியின் முடிவில் ‘ப-க்ரி-யா-நே-த்ர’ என்ற எழுத்துவரிசையை ‘காமிகா’ எனப்படும் பகுதியுடன் இணைத்து பயன்படுத்த வேண்டும். பின்னர் ‘தக்க’ முடிவில் ‘தகிதே’ என்று சொல்லி, அதன் பின் ‘ஆயுராஸ்வ’ என்ற சொல்லுக்கு செல்ல வேண்டும்.
Narada (instructing in a technical Vedanga-style recitation/prayoga sequence)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
FAQs
It emphasizes that correct mantra-performance depends on precise phonetic order and prescribed transitions between mantra-parts; accuracy in sound (śabda) is treated as spiritually efficacious.
Indirectly: it frames devotion as disciplined worship—bhakti expressed through careful, rule-based recitation rather than improvisation, aligning the devotee’s practice with śāstric procedure.
Śikṣā (phonetics/pronunciation) and prayoga-krama (procedural sequence of utterance), with attention to pada-order and exact syllabic forms used in ritual recitation.
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