The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
षड्वीर्ययामाय यातु ध्रुवपंचार्णयुक्तया । षडंगानि विधायाथ ध्यायेद्धृदि सुरार्चितम् ॥ ११५ ॥
ṣaḍvīryayāmāya yātu dhruvapaṃcārṇayuktayā | ṣaḍaṃgāni vidhāyātha dhyāyeddhṛdi surārcitam || 115 ||
ஆறுவலிமை உடைய ஆண்டவரை நோக்கிய மந்திரத்துடன், நிலையான பஞ்சாக்ஷரியை இணைத்து சாதகர் முன்னேற வேண்டும். பின்னர் ஷடங்க ந்யாசம் செய்து, தேவர்களால் அர்ச்சிக்கப்பட்ட இறைவனை இதயத்தில் தியானிக்க வேண்டும்।
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches that mantra-practice becomes spiritually effective when joined with inner contemplation: after correctly applying the mantra with its six aṅgas (protective/empowering nyāsa), one must culminate in heart-centered meditation on the divine presence revered even by the devas.
Bhakti here is not only recitation; it is disciplined worship that ends in dhyāna—placing the beloved Deity in the heart. The verse links external ritual precision (mantra + aṅgas) with internal devotion (meditation), a hallmark of Narada Purana’s devotional method.
It highlights technical mantra-vidhi used in ritual science: employing a fixed five-syllabled mantra and performing ṣaḍaṅga-nyāsa (hṛdaya, śiras, śikhā, kavaca, netra, astra), a structured application connected to Vedic ritual discipline and correct phonetic/mantric procedure.