The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
इति षोडशदोर्दण्डमण्डितं नृहरिं विभुम् । ध्यायेन्नारद नीलाभमुग्रकर्मण्यनन्यधीः ॥ ६१ ॥
iti ṣoḍaśadordaṇḍamaṇḍitaṃ nṛhariṃ vibhum | dhyāyennārada nīlābhamugrakarmaṇyananyadhīḥ || 61 ||
இவ்வாறு, நாரதா! பதினாறு கரங்களால் அலங்கரிக்கப்பட்ட, நீலநிற ஒளியுடைய, உக்கிரச் செயல்களில் வல்ல, எங்கும் நிறைந்த ந்ருஹரியை ஒருமுகச் சிந்தையுடன் தியானிக்க வேண்டும்।
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It prescribes focused dhyāna on Nṛhari (Nṛsiṃha) as a direct spiritual discipline—fixing the mind on the Lord’s form, power, and protective ferocity to purify consciousness and remove fear and obstacles.
Bhakti here is expressed as ananya-dhī—exclusive, unwavering attention to the Lord—where devotion matures into steady meditation on Vishnu’s manifested form (saguṇa-upāsanā).
It highlights the applied discipline of dhyāna used in mantra-upāsanā and ritual visualization—an operational technique supporting correct recitation and worship rather than a grammatical or astrological rule.