The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
त्रैलोक्याक्रमणान्ते तु पादशालिक ईरयेत् । रामत्रय ततो विष्णुरूपान्ते धर एव च ॥ १९१ ॥
trailokyākramaṇānte tu pādaśālika īrayet | rāmatraya tato viṣṇurūpānte dhara eva ca || 191 ||
“திரைலோக்யாக்ரமண” முடிவில் “பாதசாலிக” என்று சொல்ல வேண்டும். பின்னர் “ராமத்ரயம்” குறியீட்டுக்குப் பின், “விஷ்ணுரூப” முடிவிலும் “தர” என்ற சொல்லை உச்சரிக்க வேண்டும்.
Sanatkumara (teaching Narada in a technical Vedāṅga context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It emphasizes that sacred recitation is not casual: specific concluding markers and counts are prescribed, reflecting the Purāṇic view that precision in śabda (sound) safeguards the intended sacred effect.
Bhakti here is expressed as careful honoring of Viṣṇu-linked recitational forms—devotion includes disciplined chanting where even endings and markers are treated as offerings.
It highlights a technical, Vedāṅga-like practice (close to Chandas/Śikṣā): using named units and spoken markers to structure correct recitation and segmentation.