The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
विद्यावृतस्त्रयस्त्रिंशद्देवताकोटिशब्दतः । नमितान्ते पदपदात्पङ्कजान्वित ईरयेत् ॥ १८१ ॥
vidyāvṛtastrayastriṃśaddevatākoṭiśabdataḥ | namitānte padapadātpaṅkajānvita īrayet || 181 ||
வித்யையால் சூழப்பட்டு, முப்பத்துமூன்று கோடி தேவர்களை அழைக்கும் சொற்களுடன் அதை உச்சரிக்க வேண்டும். வணக்கத்தின் முடிவில், தாமரை-பாவத்தால் அலங்கரித்து, சொல்லுக்கு சொல் ஜபிக்க வேண்டும்।
Narada (instructional narration within Vedanga/recitation procedure context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It emphasizes that mantra-recitation should be grounded in vidyā (sacred knowledge), concluded with humility (bowing), and performed carefully word-by-word—treating sound as a sacred vehicle of divine presence.
Bhakti is expressed through reverent conduct: invoking the divine through sound, and ending with namana (bowing). The lotus imagery reinforces purity and auspiciousness in devotional recitation.
It points to Śikṣā and related recitation disciplines: precise padapāṭha-style (word-by-word) utterance, careful use of sound (śabda), and ritual etiquette such as concluding with a respectful bow.