Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
आद्यं बीजं नमः शक्तिर्विनियोगोऽखिलाप्तये । षड्दीर्घेण स्वबीजेन षडंगानि समाचरेत् ॥ ५४ ॥
ādyaṃ bījaṃ namaḥ śaktirviniyogo'khilāptaye | ṣaḍdīrgheṇa svabījena ṣaḍaṃgāni samācaret || 54 ||
ஆதி பீஜம் ‘நமः’ முன்னொட்டுடன்; அதுவே சக்தி, அதன் வினியோகம் அனைத்துப் பயன்களையும் அடைவதற்காக. தன் பீஜத்தை ஆறு நீள உயிர்களுடன் கொண்டு ஷடங்க ந்யாசம் செய்ய வேண்டும்.
Sanatkumara (in instruction to Narada within the Vedanga/ritual-technical discourse)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
It frames mantra-practice as a disciplined procedure: the bīja is empowered through “namaḥ,” its purpose is declared via viniyoga, and the practitioner stabilizes the mantra in the body through ṣaḍaṅga-nyāsa for comprehensive attainment (akhilāpti).
By emphasizing “namaḥ” (humble surrender) as integral to the bīja, it aligns mantra-technology with devotional posture—power is not merely technical but invoked through reverence and dedication of the act to the intended spiritual aim.
It highlights applied ritual method: viniyoga (formal statement of mantra’s purpose) and ṣaḍaṅga-nyāsa (placing mantra-power into six bodily loci), a technical discipline closely tied to śikṣā (phonetics/recitation) and kalpa (ritual procedure).