Bharata’s Attachment and the Palanquin Teaching on ‘I’ and ‘Mine’
सिंहस्य नादः सुमहान् सर्वप्राणिभयंकरः । ततः सा सिंहसन्नादादुत्प्लुता निम्नगातटम् ॥ १६ ॥
siṃhasya nādaḥ sumahān sarvaprāṇibhayaṃkaraḥ | tataḥ sā siṃhasannādādutplutā nimnagātaṭam || 16 ||
சிங்கத்தின் கர்ஜனை மிகப் பெரிதாய், எல்லா உயிர்களுக்கும் அச்சம் தருவதாக இருந்தது; அந்தச் சிங்கநாதம் கேட்டவுடன் அவள் திடுக்கிட்டு பாய்ந்து ஆற்றின் தாழ்ந்த கரையை அடைந்தாள்।
Narada (narrating within the Moksha-dharma discourse, traditionally in dialogue context with Sanatkumara tradition)
Vrata: none
Primary Rasa: bhayanaka
Secondary Rasa: karuna
It highlights how a single overwhelming stimulus (symbolically, fear or the force of destiny) can jolt a being into sudden movement—suggesting the mind’s reactive nature and the need for steadiness on the moksha path.
Indirectly, it contrasts fear-driven reaction with refuge-seeking; bhakti is presented elsewhere in the Narada Purana as turning toward Hari/Vishnu not out of panic, but through deliberate surrender and remembrance.
No specific Vedanga (like Vyakarana, Jyotisha, or Kalpa) is taught in this verse; it functions as a narrative detail emphasizing psychological response (bhaya) rather than a technical ritual or science.