HomeMatsya PuranaAdh. 150Shloka 123
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Matsya Purana — War of Devas and Dānavas: Yama and Kubera Defeated; Kālanemi’s Māyā and the A..., Shloka 123

चर्म चोदयखण्डेन्दुदशकेन विभूषितम् अभ्यद्रवद्रणे दैत्यो रक्षो ऽधिपतिमोजसा //

carma codayakhaṇḍendudaśakena vibhūṣitam abhyadravadraṇe daityo rakṣo 'dhipatimojasā //

போர்க்களத்தில் ராட்சசர்களின் அதிபதியான தைத்தியன் பெரும் வலிமையுடன் பாய்ந்து வந்தான்; அவன் தோல் கேடயம் பத்து அரைச்சந்திரத் துண்டுகளால் அலங்கரிக்கப்பட்டிருந்தது।

carmashield/leather buckler
carma:
codayakhaṇḍaa driven/impelled segment or cut-piece (ornamental panel)
codayakhaṇḍa:
indu-daśakenawith a set of ten ‘moons’ (ten crescent-moon motifs)
indu-daśakena:
vibhūṣitamornamented, decorated
vibhūṣitam:
abhyadravatrushed at, charged
abhyadravat:
raṇein battle
raṇe:
daityaḥa Daitya (demon of the Diti line)
daityaḥ:
rakṣaḥ-adhipatimlord of the Rākṣasas/demon-chief
rakṣaḥ-adhipatim:
ojasāwith vigor, with force
ojasā:
Suta (narrative voice, reporting the episode within Matsya Purana’s descriptive section)
DaityaRākṣasādhipatiIndu (candra/crescent motif)
IconographyMartial imageryArmor ornamentsBattle narrativePratima Lakshana

FAQs

This verse is not about Pralaya; it is a battle-description emphasizing symbolic ornamentation (crescent motifs) and martial vigor.

Indirectly, it supports the Purāṇic ideal that rulers and warriors must cultivate strength and readiness in righteous conflict; the focus here is on battlefield conduct and martial presentation rather than household duties.

The explicit architectural/ritual instruction is not stated, but the verse preserves iconographic vocabulary—how emblems (like crescent-moon panels) are used as auspicious decorative motifs, relevant to pratima/ornament design traditions.