Adhyaya 61 — The Second Manvantara Begins: The Brahmin’s Swift Journey and Varuthini’s Temptation on Himavat
किन्नराणां कलालापाः समन्ताच्छ्रोत्रहारिणः ।
प्रफुल्लतरुगन्धान्श्च घ्राणमत्यन्तमृच्छति ॥
kinnarāṇāṃ kalālāpāḥ samantāc chrotrahāriṇaḥ | praphullatarugandhāṃś ca ghrāṇam atyantam ṛcchati ||
எல்லாத் திசைகளிலும் கின்னரர்களின் இனிய பாடல்கள் காதை கவர்கின்றன; மலர்ந்த மரங்களின் மணம் மூக்கை வலிமையாகத் தொடுகிறது.
{ "primaryRasa": "adbhuta", "secondaryRasa": "shringara", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The Purāṇic wilderness is not merely dangerous; it is also enchanting. This tests steadiness: one must enjoy without being carried away (asaṅga).
Ākhyāna with loka-varṇana (world-description). It supports the narrative arc rather than genealogical/cosmic cataloging.
Kinnara-song and flower-scent can symbolize subtle attractions (saṃskāra-vasanā) that arise on the path; they refine pleasure but still distract from the goal.