Adhyaya 20 — Ritadhvaja’s Companionship with the Naga Princes and the Origin of the Horse Kuvalaya
ब्रह्मरूपप्रतिच्छन्नौ तरुणौ प्रियदर्शनौ ।
तौ तैर्नृपसुतैः सार्धं तथैवान्यैर्द्विजन्मभिः ॥
brahmarūpapraticchannau taruṇau priyadarśanau | tau tair nṛpasutaiḥ sārdhaṃ tathaivānyair dvijanma-bhiḥ ||
அந்த இரு அழகிய இளைஞர்கள் பிராமணர் வேடத்தில் மறைந்து, அந்த அரசகுமாரர்களுடனும் மற்ற இருபிறப்பினர் இளைஞர்களுடனும் சேர்ந்து தங்கினர்.
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Form (rūpa) can conceal essence; Purāṇic narratives repeatedly warn against judging solely by external marks, while also noting how social roles can be assumed for specific purposes.
Carita/ākhyāna: a plot mechanism (disguise) introducing new relationships and future causality.
Brahmin-disguise over Nāga-nature suggests the veiling of instinctual/serpentine energy under a mantle of intellect—an image of sublimation or strategic concealment.