Viṣṇv-ekapūjya-nirṇaya; Gaṅgā-Viṣṇupadī-māhātmya; Kali-yuga doṣa; Puṣkara-dharma of Viṣṇu-smaraṇa
रोणीं धृत्वा रोहति योग्यस्थानं तस्माच्च सा रोहिणीति प्रसिद्धा / आदित्यभार्या नाम संज्ञा खगेन्द्र ज्ञेया सा नारायणस्य स्वरूपा
roṇīṃ dhṛtvā rohati yogyasthānaṃ tasmācca sā rohiṇīti prasiddhā / ādityabhāryā nāma saṃjñā khagendra jñeyā sā nārāyaṇasya svarūpā
‘ரோணீ’ என்ற பெயரைத் தாங்கி அவள் தகுந்த நிலையினை ஏறுகின்றாள்; ஆகவே ‘ரோஹிணீ’ எனப் புகழ்பெற்றாள். ஓ ககேந்திரா, அவளின் பெயர்ச் சுட்டு ‘ஆதித்ய-பார்யா’; அவள் நாராயணனின் ஸ்வரூப வெளிப்பாடே.
Lord Vishnu (Narayana) addressing Garuda (Khagendra/Vinata-putra)
Concept: Nāma (name) reveals svarūpa (essential form); divine feminine forms are manifestations of Nārāyaṇa’s power.
Vedantic Theme: Saguṇa-brahman apprehended through nāma-rūpa while pointing to underlying unity (Nārāyaṇa as the ground).
Application: Contemplate divine names with their meanings; cultivate devotion by seeing cosmic roles as expressions of Nārāyaṇa.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: cosmic station (yogya-sthāna)
Related Themes: Garuda Purana 3.29.27-30 (continuation of name-etymology and cosmic identifications)
This verse presents Rohiṇī as one who “ascends to the proper station” and identifies her as a divine designation connected with Āditya, ultimately described as a manifestation (svarūpa) of Nārāyaṇa.
By stating that the named figure (Rohiṇī/Āditya-bhāryā) is “Nārāyaṇa’s svarūpa,” the verse frames the deity or divine principle as appearing through specific names and roles while remaining rooted in Nārāyaṇa.
It encourages seeing sacred names and roles as pointers to a deeper divine reality—cultivating reverence, clarity in worship, and a theistic understanding that multiple forms can express one supreme principle.