Previous Verse
Next Verse

Skanda Purana — Vishnu Khanda, Shloka 2

नारायणं नमस्कृत्य नरं चैव नरोत्तमम् । देवीं सरस्वतीं चैव ततो जयमुदीरयेत्

nārāyaṇaṃ namaskṛtya naraṃ caiva narottamam | devīṃ sarasvatīṃ caiva tato jayamudīrayet

नारायणं नमस्कृत्य नरं चैव नरोत्तमम्। देवीं सरस्वतीं चैव ततः जयमुदीरयेत्॥

नारायणम्Nārāyaṇa
नारायणम्:
Karma (Object/कर्म)
TypeNoun
Rootनारायण (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; नमस्कृत्य इत्यस्य कर्म
नमस्कृत्यhaving saluted
नमस्कृत्य:
Purvakala (Prior action/पूर्वकाल)
TypeIndeclinable
Rootनमस् + कृ (धातु)
Formक्त्वा-प्रत्यय (absolutive/gerund), अव्ययभाव; पूर्वक्रिया
नरम्Nara
नरम्:
Karma (Object/कर्म)
TypeNoun
Rootनर (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; नमस्कृत्य इत्यस्य कर्म
and
:
Sambandha (Conjunction/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
एवindeed
एव:
Sambandha (Particle/सम्बन्ध)
TypeIndeclinable
Rootएव (अव्यय)
Formअवधारण-अव्यय (emphatic particle)
नरोत्तमम्the best of men
नरोत्तमम्:
Karma (Object/कर्म)
TypeNoun
Rootनर + उत्तम (प्रातिपदिक; समास)
Formपुंलिङ्ग, द्वितीया, एकवचन; नमस्कृत्य इत्यस्य कर्म
देवीम्the Goddess
देवीम्:
Karma (Object/कर्म)
TypeNoun
Rootदेवी (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया, एकवचन; नमस्कृत्य (अनुवृत्त) कर्म
सरस्वतीम्Sarasvatī
सरस्वतीम्:
Karma (Object/कर्म)
TypeNoun
Rootसरस्वती (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया, एकवचन; देवीम् इत्यस्य समनाधिकरणम्
and
:
Sambandha (Conjunction/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
एवindeed
एव:
Sambandha (Particle/सम्बन्ध)
TypeIndeclinable
Rootएव (अव्यय)
Formअवधारण-अव्यय (emphatic particle)
ततःthen/thereafter
ततः:
Adverbial (Kriyāviśeṣaṇa/क्रियाविशेषण)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय (adverb) क्रम/अनन्तर (thereafter)
जयम्victory (cry)
जयम्:
Karma (Object/कर्म)
TypeNoun
Rootजय (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; उदीरयेत् इत्यस्य कर्म
उदीरयेत्should utter/proclaim
उदीरयेत्:
Kriya (Action/क्रिया)
TypeVerb
Rootउद्-ईर् (धातु)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष, एकवचन

Narratorial invocation (standard Purāṇic/Vyāsa-style maṅgala)

Listener: All intended hearers/reciters

Scene: A triadic invocation tableau: Nārāyaṇa enthroned with śaṅkha-cakra-gadā-padma; beside/near him Nara (ascetic-sage form) in meditation; Sarasvatī with vīṇā and white lotus; a reciter with folded hands begins the text, ‘jaya’ inscribed above.

N
Nārāyaṇa
N
Nara
S
Sarasvatī

FAQs

Sacred study should start with humility and salutations—aligning devotion (Nārāyaṇa), dharma (Nara), and inspired speech (Sarasvatī).

The larger section is Ayodhyā-māhātmya, though this verse is a general invocation rather than a site-description.

Begin recitation with namaskāra to Nārāyaṇa, Nara, and Sarasvatī, followed by uttering “jaya” as an auspicious commencement.