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Shloka 7

किष्किन्धाप्रवेशः—लक्ष्मणस्य कोपः, तारासान्त्वम्, सुग्रीवदर्शनम्

Lakshmana Enters Kishkindha: Anger, Tara’s Mediation, and Sugriva Encountered

चन्दनागरुपद्मानां गन्धैस्सुरभिगन्धिनाम्।मैरेयाणां मधूनां च सम्मोदितमहापथाम्।।।।

candana-agaru-padmānāṃ gandhaiḥ surabhigandhinām | maireyāṇāṃ madhūnāṃ ca sammuditamahāpathām ||

चन्दनागरुपद्मादीनां सुरभिगन्धानां गन्धैः, मैरेयमधूनां च सौरभेण, महापथाः सम्मोदितजनैः समन्तात् प्रहृष्टाः बभूवुः।

candana-agaru-padmānāmof sandal, agaru, and lotus
candana-agaru-padmānām:
Shashthi-sambandha (षष्ठी-सम्बन्ध)
TypeNoun
Rootcandana (प्रातिपदिक) + agaru (प्रातिपदिक) + padma (प्रातिपदिक)
Formनपुंसकलिङ्ग, षष्ठी-विभक्ति, बहुवचन; द्वन्द्वः—‘चन्दनं च अगरु च पद्मं च’
gandhaiḥwith fragrances
gandhaiḥ:
Karana (करण)
TypeNoun
Rootgandha (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन
surabhi-gandhināmof sweet-smelling (substances)
surabhi-gandhinām:
Visheshana (विशेषण)
TypeAdjective
Rootsurabhi (प्रातिपदिक) + gandhin (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, षष्ठी-विभक्ति, बहुवचन; कर्मधारयः—‘सुरभिः गन्धः येषाम्’ (fragrant)
maireyāṇāmof maireya liquor
maireyāṇām:
Shashthi-sambandha (षष्ठी-सम्बन्ध)
TypeNoun
Rootmaireya (प्रातिपदिक)
Formनपुंसकलिङ्ग, षष्ठी-विभक्ति, बहुवचन; मद्य-विशेषः
madhūnāmof honeys
madhūnām:
Shashthi-sambandha (षष्ठी-सम्बन्ध)
TypeNoun
Rootmadhu (प्रातिपदिक)
Formनपुंसकलिङ्ग, षष्ठी-विभक्ति, बहुवचन
caand
ca:
Sambandha (सम्बन्धः)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चयार्थक-अव्यय
sammuditamahāpathāmhaving delight-filled main roads
sammuditamahāpathām:
Visheshana (विशेषण)
TypeAdjective
Rootsam-√mud (मुद्) (धातु) + mahā (प्रातिपदिक) + patha (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन; तत्पुरुषः—‘सम्मुदितः महापथः यस्याम्’ (having joyous great roads)

The royal roads were filled with fragrant unguents, like sandal, agaru and lotus incenses, fine-smelling honey of several kinds and happy inhabitants.

FAQs

The verse sets a backdrop of abundance; dharma-oriented reading treats prosperity as meaningful only when governed by restraint and responsibility—an implicit contrast to the later neglect of duty.

Lakṣmaṇa moves through Kiṣkindhā and observes the city’s festive, fragrant thoroughfares before reaching Sugrīva’s quarters.

Not a direct virtue-statement, but it highlights the setting that tests self-control (indriya-nigraha) in rulers and courtiers.